Welcome to the Autohome Hangzhou Promotion Channel. To meet the expectations of our consumers, we have exciting news: a generous promotion is underway on the model. In the bustling city of Hangzhou, you have the opportunity to enjoy a car purchase discount of up to 121,800 yuan, allowing the starting price of this luxury SUV to drop to the 300,000 yuan range. This is undoubtedly a car purchase opportunity not to be missed. For more specific car purchase information and to get higher discounts, be sure to click the "Check the car price" button in the quotation form and let us help you realize your car purchase dream.

The Audi Q5L leads the way in luxury SUVs with its elegant and powerful exterior design. Its front face features the Audi family’s iconic hexagonal air intake grille, with sharp LED headlights, showing a strong recognition. The body lines are smooth, and the overall style is atmospheric and refined. It fuses Audi’s classic sports genes with a modern urban sense, providing drivers with unparalleled visual enjoyment.

With its elegant body lines and refined proportions, the Audi Q5L exudes a strong sense of movement. Its body size is 4770mm x 1893mm x 1667mm, and the wheelbase is up to 2907mm. This design not only guarantees the spacious space inside the car, but also optimizes the driving stability. The front and rear wheel tracks are 1616mm and 1610mm respectively, further strengthening the balance of the body. The smooth lines on the side of the car, with 255/45 R20 size tires, reflect Audi’s attention to detail in both visual effect and grip. The choice of tires not only enhances the driving performance, but also complements the wheel style, which together shape the unique profile of the Audi Q5L.

The interior design of the Audi Q5L combines luxury and technology, showing a refined and practical style. In the spacious cockpit, the steering wheel is made of leather to provide a good grip, and supports manual up and down + front and rear adjustment to meet the needs of different drivers. The 10.1-inch central control screen is clear and easy to operate, and integrates multimedia systems, navigation and phone functions to achieve seamless connection of information. The seats are made of leather, and the main and passenger seats support multi-directional adjustment, including front and rear, backrest, high and low, leg rest and waist support, to ensure passenger comfort. The front seats are also equipped with heating function, and the driver’s seat has an additional power seat memory function, while the rear seats support proportional reclining, providing more space flexibility for passengers. These configurations reflect the luxurious configuration and user-friendly design of the Audi Q5L interior.

The Audi Q5L is equipped with a powerful 2.0T engine with a maximum output of 180 kW and a peak torque of 370 Nm. This engine has a strong performance of 245 horsepower. With a 7-speed wet dual-clutch transmission, it provides a smooth and efficient driving experience, bringing excellent power performance and control pleasure to the driver.

In summary, Autohome owners are full of praise for the exterior design of the Audi Q5L, considering it unique among competitors in the same class. In particular, the black light bag and red calipers of the 24 models with 20-inch wheels give the vehicle a sense of style and sportiness that is difficult to ignore. As he described it, the Audi Q5L is like an elegant man in a suit, showing strength and taste, making every driver stand out on the road.

　　In the eyes of Koreans, Chinese is known for being more difficult to master than other languages. Korean fans are very concerned about how Zheng Yusheng can speak the Chinese dialogue fluently in "Sword Rain". Many Korean fans who have seen "Sword Rain" have commented on it online. Many netizens wrote: "I feel that Zheng Yusheng speaks Chinese better than other Chinese actors!" "In addition to perfect pronunciation, I can also hear Zheng Yusheng bring emotion into his lines." Many Korean Chinese learners and Chinese students who watched the film also praised Zheng Yusheng’s Chinese performance.
　

On February 27, the State Press and Publication Administration announced the approval information of domestic online games in February 2024, and a total of 111 games were issued with version numbers in this round. Among them, the domestic stand-alone game "Black Myth: Wukong", which has attracted much attention from players since the release of some video promotional materials in 2020, was finally issued this month.

Some netizens were puzzled after paying attention to this news. Why do domestic stand-alone games have to pass the approval of domestic online games? In fact, "domestic online game approval information" and "imported online game approval information" are what players call "version number". The definition of "online game" by the State Press and Publication Administration is not exactly the same as the concept of ordinary players. In the minds of most players, "online games" can be "multiplayer online", and others are all called stand-alone games. Even "Yuan Shen", which must be played in an online environment, is often called a stand-alone game with online elements.

However, according to the State Press and Publication Administration’s 2009 "Notice on Implementing the State Council’s" Three Decisions "and the Central Editing Office’s Interpretation to Further Strengthen the Administration of Pre-approval of Online Games and the Approval of Imported Online Games," which clearly stipulates:The term "online games" as mentioned in this notice refers to all Internet game works that are used or downloaded online by the public through the Internet (including wired Internet and mobile communication networks, etc.). Mainly including but not limited to: large-scale role-playing online games (MMORPGs), web games (Webgames), casual games, online downloads of stand-alone games, games with networking functions, online battle game platforms, and mobile online games.

Therefore, it is not surprising that "Black Myth: Wukong" has been listed this time. In fact, a large number of domestic stand-alone games such as "Cologne", "Destiny 2" and "Warm Snow" have passed online game approval before.

This time, "Black Myth: Wukong", which has been eagerly followed by netizens, is an action role-playing game made by Game Science Company with Chinese mythology as the background. In the game, players will play a "Destiny Man", in order to explore the truth of the past legends, embark on a journey full of danger and surprise to the west. The team of Game Science Company told reporters that by the end of 2023, "Black Myth: Wukong" has been played more than 660 million times on the whole network. At the same time, the game image has also been continuously selected for the year-end inventory of CCTV cultural symbols in 2021 and 2022.

At the TGA 2023 annual game election ceremony on December 8, 2023, "Black Myth: Goku" was officially announced to be released on August 20, 2024, and was simultaneously launched on PC, PS5, and Xbox. This is the first time the game has announced its accurate launch information since the first exposure video was released in 2020. It has attracted great attention from the game market at home and abroad.

Within three days of the release of the game’s launch information, according to incomplete statistics, the game’s YouTube-related playback has exceeded 40 million, which is the first in the history of China’s stand-alone game trailer playback. It was spontaneously spread by a large number of overseas leading live streaming hosts in various fields. It is worth mentioning that in August 2023, at the Cologne Game Show, one of the most influential game exhibitions in the world, "Black Myth: Wukong" also won the "Best Visual Effects Award" in 2023.

Text | Reporter, Liu Kehong

Picture | State Press and Publication Administration, Game Science Company

1905 movie network feature The Spring Festival is getting closer and closer, and the Spring Festival videos are doing their best to "roll" up.

The audience tried their best to sort out the plot points of each movie in various video materials, and also explore the possibility of the actors this time in the short video. The change of efforts, the portrayal of deaf and mute people, the interpretation of characters… Every effective discussion made them become frequent visitors on the hot search list.

And their confidence comes from the works. Because of the support of the works, they were seen by these directors.

Just like at the press conference, he got the annual hot word "Biao" and frankly said, "Thank you for this word’Biao ‘, so that the director can see his progress." Although it was not specified, everyone naturally understood that it was referring to the role of sister-in-law in China.

This made the director see that the assistant director, who had been a cameo nurse on the crew, had already transformed into an excellent actress recognized by the public.

In addition to Takaba, the actors in "Hurricane" have also become actors in "Article 20".

Previously, many people have mentioned in interviews that director Zhang Yimou has a high reading volume, and even if he is busy with work, he will set aside time to watch films.

If "Hurricane" allows Zhang Yimou to see Gao Ye, Wang Xiao, and others, then there is reason to believe that in 2023, another word-of-mouth masterpiece will also allow the director to find many partners in it.

– That’s the show.

The old partner doesn’t need to say much, and the actors in the series, such as,, and so on, are also pleasantly surprised to appear in "Article 20".

In addition to the drama series, the acting skills in last year’s popular movies are obvious to all, and joining "Article 20" this time is also highly anticipated.

In addition to excellent dramas and movies, Zhang Yimou seems to have paid a lot of attention to variety shows.

Following the use of the "Annual Comedy Convention" of Zhang Chi, he this time in the comedy movie "Article 20", chose "Annual Comedy Convention" and.

Perhaps Zhang Yimou’s choice of Liu Yaowen was also due to a certain bright spot in his "Infinite Transcendence Class" at the beginning of last year.

In addition to these actors, Zhao Liying’s participation is even more eye-catching. Looking back at 2022-2023, she experimented with realistic-themed works – and two episodes of "Wind Blows Half Summer", both of which allowed audiences to see her transformation as an actor and the thickness of her performances.

It is worth noting that the original work of "Happiness to Wanjia", "The Legend of Qiu Ju", has been adapted into a movie before. This relationship also adds a layer of connection between director Zhang Yimou and actor Zhao Liying. From the current trailer, Zhao Liying plays Hao Xiuping, which is quite resilient of Qiu Ju back then.

In addition to Zhang Yimou’s "Article 20", the creators of other films also share this fate.

In China, this is already the second collaboration with the director. As early as before, Fan Chengcheng has shown his comic talent in the film produced and directed by Han Han. I believe this collaboration will give the two a chance to play two games.

In fact, Fan Chengcheng’s role in "Unfamiliar with Life" was recommended by the director. At that time, the two were working together, and the director Yi Xiaoxing was the producer of the film. When talking about the lack of a suitable candidate for the male lead of his project, Ma Kai immediately recommended this new generation actor to him. With these consecutive good collaborations, more projects will naturally follow.

Before working together, they always have their works as the cornerstone, step by step, without using traffic to define value, because the works have already become the most powerful echo. Perhaps in the future, we will continue to see more similar actors being discovered, whether it is the small screen or the big screen, they are shining brightly and deserve better treatment.

Young directors and big names have joined, and such cooperation models have appeared more and more frequently in the domestic film market in recent years. Zhang Ziyi’s first film as a producer and starring, with Fan Bingbing, Su Zhixie, He Rundong, Lin Xinru, and Yao Chen starring in it. The second feature film of Yimeng, a director studying in the United States, is destined to set off a boom this summer.

Zhang Ziyi

From the perspective of the heroine Sophie, it is simply a process of "losing love, striving for love, and regaining love." A series of small tricks, tricks, and surprises derived from "love" occur in the middle. Finally, it conforms to the label of "urban fashion romantic comedy", and the lovers finally get married. Such a story may be suitable for a summer that needs a touch of coolness in a heat wave, for urbanites who are busy all day, and for people who have a vision of sweet love, but it is still the old saying – benevolent people see benevolence and wise people see wisdom. There is a market, and everyone gets what they need.

Although, as far as the whole movie is concerned, the demand for acting is not so harsh or extreme. But just seeing these actors with enough weight and hot topics appear on the big screen at the same time, it is already worthy of the name of "urban fashion romantic comedy".

Supporting actors with leading roles

Looking at the whole movie, under the light of Zhang Ziyi and Fan Bingbing, the aura of the other stars was relatively discounted a lot. Observing one by one, one of Sophie’s girlfriends, Lu Xiaoxi played by Lin Xinru, has capable short hair, smoky makeup, and black main suits. The overall shape is good enough, but apart from the shape, there are not many memory points. Sophie’s second best friend, Li Li played by Yao Chen, has curly hair sheep head, and blingbling gold and silver jewelry all over her body. The big-mouthed beautiful woman’s comedy talent is still unstoppable, and because there are not many scenes, the place where she can stand out is relatively limited. However, "YOU seduce my husband!" This line is believed to be popular for a short time. Then, Mr. Right, who wrote a happy ending with Sophie, and Chang Rui, played by He Rundong, gave the character the words "no merit". There are no distinctive characters, and He Rundong’s tall and healthy appearance, sunny and handsome face, and natural and friendly performance are used just right. However, if you replace it with someone else, I believe it will not make much difference. In the end, Sophie’s ex-boyfriend, Lee Jiefu, who was originally thought to be the most central and interesting, recruited Su Zhixie, who is absolutely guaranteed to be popular in Korea, to play. However, the result makes people feel a little regretful that he is "overqualified". In the movie, Mr. Su took a foil route. The two beautiful women were just competing for the goal, and he always felt that there was a little less personality and a little less independent advocacy. The innocence, confusion and helplessness in the eyes that the plot needs are revealed from time to time. Or it should be said that in the background of big-name women’s plays, it is enough for men to play in moderation.

He Rundong

The two major characters that made their debut

As two major domestic A-list actresses, Zhang Ziyi and Fan Bingbing’s show on the same stage is definitely one of the biggest attractions. In the movie, the two characters are also in tit-for-tat positions, Li Jiefu’s ex-girlfriend – comic book collection Sophie and current girlfriend – big star Wang Jingjing. One is in the process of "revenge" to regain his old love, and the other is in a big confrontation to defend his new love’s acting skills. The cartoonist’s fanciful moves are against the big stars’ acting skills that are still proficient in life, and it was thought that this was the main axis of the narrative. In fact, compared to Zhang Ziyi’s most important appearance, Fan Bingbing can perform in relatively few places.

Fan Bingbing

I’m used to seeing Zhang Ziyi in all kinds of big productions. The first time I saw her in a "non-blockbuster" or a comedy, I was really not used to it when I first started watching it. Due to the needs of the plot, the exaggerated performance method and the innocent and romantic expression that seemed to be a little beyond age finally stopped feeling discordant in the middle of the movie. Little clever, little bad, little evil, little confused, all the characters need are fully displayed and not annoying, which is not bad. At the same time, the plot comic-style narrative, the prominent details and color matching in the scene, and the full transformation of the clothing add a lot of points to the three-dimensional shaping of the whole character, or these are the essential elements of the so-called urban fashion drama.

In the end, Fan Bingbing was mentioned because this character, who seemed to be the protagonist but did not have too many roles, but who felt like nothing more than Fan Bingbing, was well-interpreted. As far as the character itself was concerned, Fan Bingbing could definitely perform with ease at her current level, and just the aura and aura of a big star were already natural to her. Under the premise of the plot and the needs of the character, it also required skills to show one’s beauty to the greatest extent, and she did it. Especially in the rock climbing arena, she watched Sophie with tears in her eyes and duplicity, saying, "Play acting with me, can you?" The scene was particularly classic. In addition, due to the needs of the play within the play, a series of shapes from ancient times to the present appear distinct under the interpretation of Fan Bingbing, which also makes the picture feel rich and layered again. Although the way of handling the ending is a little stiff, there is no reasonable plot overkill to reflect Wang Jingjing’s inner transformation. Maybe the director doesn’t think there is such a need, it’s just wishful thinking of me as a viewer.

The movie has not been released in the whole country, and the topics are already numerous. Some people say that the movie is not bad, it is worth watching; some people say that only the big names have no content, and it is not worth wasting money; some people say that this is a brand new attempt in Chinese film; some people say that this movie has seen too many shadows of movies, just like Korean idol movies… In this circle, the more topics, the easier it is to attract attention. Whether you love it or not, if you just want to find something to make yourself happy in the hot summer, if you don’t care so much about the imperfections under the perfect, then this movie ticket should still be considered, if you still have some money in your pocket.

The workers’ congress had just come to an end, and the Spring Festival group meeting had a grand debut. This week, Wahaha had a "very fulfilling" life.

From January 29th to 30th, Wahaha Group held a staff congress and a meeting of factory directors in Hangzhou. Zong Fuli led the meeting and made plans and arrangements for the development direction of Wahaha in the new year, and settled the first "major event" after the opening year a year ago. On the eve of the Lunar New Year on February 2nd, Wahaha held a Spring Festival youth workers group meeting in Xiasha Base in Hangzhou, which was still hosted by Zong Fuli. The Wahaha New Year’s Eve dinner was lively.

It’s not a good idea.The highlights of the "Wahaha Spring Festival Gala" continue, and the New Year’s "jackpot" is presented.

Early in the morning, the "Junjie Hotel" located in Wahaha Xiasha Base was full of New Year’s flavor, with 145 tables filled with drinks, fruits, nuts and cold cuts. More than a thousand young workers entered the venue one after another, their faces full of excitement and expectation. There were also paper cuts with the word "Fu", red lanterns hung high up, and mascots for the Year of the Dragon… The atmosphere was thick and lively.

Since 1987, the tradition of annual reunion banquets has gradually formed a unique cultural symbol of Wahaha. Every year, on the eve of the Spring Festival, Wahaha invites young workers in Hangzhou to have a New Year’s Eve dinner, which includes sumptuous delicacies, evening performances, and red envelope awards.

This year was the same, the party had set up multiple rounds of on-site lottery, large supermarket cards, electric vehicles, tablet computers, glory mobile phones… The company prepared generous prizes, including the sunshine-drenched prize for everyone – New Year’s gift package and lottery tickets, to give employees the "jackpot" of the new year.

It is worth mentioning that the on-site singing and dancing, folk music, recitation and other programs were written, directed and performed by the Wahaha Art Troupe and Wahaha employees at various positions. They also combined annual events such as sponsoring the Asian Games and the corporate culture of striving for progress. It brought a fun and exciting audio-visual experience to the young workers of Wahaha. The applause and laughter from the audience continued, making it a luxurious "Wahaha Spring Festival Gala".

It’s not a good idea.37 years of uninterrupted care, allowing employees to feel the warmth of home

Focusing on employee care has always been a major feature of Wahaha. During its 37 years of development, Wahaha has pursued a corporate culture of "uniting the small family, developing everyone, and serving the country", and has always placed the happy life of its employees in an important position. Wahaha has also been called a "conscience enterprise" and "other people’s company" many times because of its good welfare benefits.

The first is to insist on giving employees annual bonuses every year, so that employees can enjoy the fruits of enterprise development most intuitively, and at the same time insist on holding Wahaha New Year’s Eve dinner every year to celebrate the Spring Festival with employees. Sending red envelopes and drawing gifts is the "highlight" that has never been absent every year.

Secondly, for young employees, housing has always been the "top priority" in their life development. Wahaha regards solving the housing problem of employees as an important task, providing employees with free dormitories covering all bases across the country, free of water and electricity; implementing a stepped housing project covering all employees to solve the problem of employees settling down. So far, more than 1,000 employee apartments have been built in Jiaxing Haining, Sichuan Chengdu, Tianjin, Chongqing and other places, more than 1,500 apartments have been allocated for married backbone employees, 640 low-rent housing units have been provided for employees, and more than 50 million housing purchase subsidies have been provided, solving the worries of employees.

In addition, there are "irregular drop" mid-year bonuses, holiday condolences, festival fees, colorful "staff homes" and "cultural clubs", etc…. Taking care of the diverse and personalized material and spiritual needs of employees greatly enhances the sense of belonging of employees, and motivates every Wahaha employee to "twist a rope" and strive forward.

If the enterprise develops well, employees can naturally develop well. Wahaha is verifying this sentence with practical actions. For 37 years, Wahaha has adhered to honest management, actively fulfilled social responsibility, ensured product safety and health, cooperated with suppliers and distributors for win-win results, and allowed employees to share the fruits of enterprise development. It has achieved integrity from society, partners, to consumers, and won brand reputation.

In recent years, Wahaha has also accumulated a deep leap in kinetic energy and a stable "thin hair" through management system reform, implementation of five major strategic innovations, and intelligent manufacturing. In 2023, Wahaha continued to maintain stable development, not only helped the Asian Games to be successfully held, but also achieved the Asian Games IP marketing breaking circle. It also won the "Zhejiang Provincial People’s Government Quality Award". Wenzhou Wencheng Intelligent Factory was also awarded the Zhejiang Provincial "Factory of the Future". Management, marketing, quality construction, and back-end intelligent manufacturing are all working together… This leading enterprise in the food and beverage industry, how will it open up its own new journey in the future, deserves more expectations.

　　On August 14, the Civil Aviation Administration issued a notice reiterating the relevant regulations on passengers carrying power banks on flights:

　　It is strictly forbidden to carry power banks in checked baggage.

　　It is strictly forbidden to carry power banks with a rated energy of more than 160Wh; power banks with a rated energy of more than 100Wh but not more than 160Wh must be approved by the airline and must not exceed two.

　　Third, it is strictly forbidden to carry power banks with unclear markings.

　　IV. It is strictly forbidden to use the power bank during the flight.

　　Fifth, it is strictly forbidden to carry power banks for non-personal use.

　　Those who violate the above provisions will be dealt with severely by the public security organs according to the circumstances and in accordance with relevant national laws and regulations.

　　The above provisions also apply to the crew.

　　● Although smart TVs have increased the range of options for watching programs, there are many problems that have been criticized in the use process. From on-off advertisements to membership nesting doll-style charges, from inconvenient use, unfriendly to the elderly to after-sales services that cannot really solve the problem, a series of "routines" of smart TVs need to be improved urgently

　　● The situation of paid viewing of Internet Protocol Television is very common, and some consumers are also willing to pay for watching their favorite TV programs. However, on issues such as how many dramas members can watch and the cost of membership opening, merchants should make clear prompts before purchasing, so that consumers can choose the corresponding service according to their own needs when purchasing, otherwise it is suspected of infringing consumers’ right to know

　　In order to solve the problems in the use of smart TVs, we should play the role of the market, advocate businesses and advertising business entities to pursue profits while assuming social responsibility, actively carry out internal compliance management system construction, consciously reduce or even eliminate some unreasonable and illegal phenomenon　　

　　"Why is it so troublesome to watch TV!"

　　Zhang Bingcheng, who lives in Langfang, Hebei province, complained from the moment he turned on his son’s new year gift – an oversized LCD smart TV – during the lunar new year holiday.

　　"It’s mandatory to watch advertisements when you turn it on, and you can’t skip it. The various icons on the homepage make people don’t know how to operate. It’s hard to click on a TV series, and you have to open a membership to watch the whole episode. In addition to the members of the TV itself, there are also various App members. If you want to watch satellite TV programs, you have to buy a set-top box to open a digital channel. Why is it so laborious to watch TV on a TV?"

　　In recent years, from cable to digital to the Internet, TV technology has developed rapidly. Today’s smart TVs have greatly increased the range of options for watching programs after being connected to the Internet. However, a recent investigation by a reporter from the "Rule of Law Daily" found that there are many problems that have been criticized in the use of smart TVs. From on-off advertisements to membership nesting fees, from inconvenient use, unfriendly to the elderly to after-sales services that cannot really solve the problem, a series of "routines" of smart TVs need to be improved urgently.

　　Boot and cut screen advertisements continue

　　If you want to watch the show, the matryoshka will be charged.

　　"Every time you turn on the TV, you have to watch an advertisement, and when you turn it off, you have to watch it again. Sometimes you have to watch an advertisement for a program on demand. I originally wanted to watch TV, but I was’hit head-on ‘by a long commercial advertisement." Ding Lei, of Wuxi, Jiangsu, told reporters that his smart TV would have a 30-second boot advertisement every time it was turned on, and every time he switched channels, similar advertisements such as "Watching TV members, limited time × × yuan a year" would automatically pop up, which made him very disgusted.

　　According to the "2021 Smart TV Switch Advertising Research Report" released by People’s Daily Online Finance and Economics Research Institute, more than 89.9% of respondents said that the smart TV in their homes contains switch-on advertisements, 86.09% of manufacturers do not set a "one-click cancel or close button" for switch-on advertisements, and 72.73% of respondents said "can’t bear it for a second".

　　It is worth noting that in 2020, the China Electronic Video Industry Association established the group standard "Smart TV Boot Advertising Service Specifications", which stipulates that "the total duration of boot advertising should not exceed 30 seconds, and the recommended advertising duration of this specification should be within 15 seconds." The Advertising Law stipulates that the use of the Internet to publish and send advertisements shall not affect users’ normal use of the Internet. Advertisements published in the form of pop-ups on Internet pages should be clearly marked with a shutdown sign to ensure one-click shutdown.

　　Although there are regulations for a long time, the reporter found in the investigation that smart TV advertising violations are still very common. Many smart TV advertisements are not only longer than 30 seconds, but also do not provide a shutdown sign in a prominent position, or even skip or close signs at all.

　　In addition to the advertising issue, many respondents said that the charging rules of smart TVs are a headache, "after spending money to buy a TV, you have to pay for it layer by layer".

　　Liang Jing, from Suzhou, Anhui Province, said in an interview that she now regrets buying a smart TV.

　　"At that time, the promotion was 4K ultra-high definition image quality and high fidelity sound system. Owning it was equivalent to having a home theater, and only when you bought it did you find that you need a member to watch almost everything." In the opening member interface displayed by Liang Jing, the reporter saw that the membership package that comes with the smart TV is 288 yuan per year, while the package season costs 148 yuan. The TV membership does not include other column members. If you want to watch the children’s channel, you need to open a children’s channel membership, which is 9.9 yuan for the first month of a continuous monthly subscription. The learning channel needs to open an annual card of 298 yuan. Variety, education, sports, and major program types want to watch.

　　The reporter calculated and found that if all the members of the smart TV itself are opened, the annual cost will exceed 1,000 yuan. In addition, if you want to watch programs on the TV through the online video platform, many content must be opened as a member of the online video platform to watch normally, and the member can only use it on the TV side, and it is not interoperable with the mobile phone side. For example, a platform gold member can use it on the three major platforms of mobile phones, tablets and computers. The annual card is 258 yuan, while the diamond member only has one more TV side. The annual card is 448 yuan, which is nearly double the price.

　　"Just like matryoshka dolls, there are small members in the big members, and there are special members when you buy small members. The rules for setting fees are to guide you to choose consecutive monthly subscriptions or direct annual subscriptions, otherwise it is not cost-effective. What’s more annoying is that once I opened a children’s channel for my child for one month, the operator automatically renewed the fee for the next month, and did not remind me in advance." Liang Jing complained.

　　On February 1, the reporter went to Binjiang Road Commercial Street, Heping District, Tianjin and consulted the sales staff of a number of smart TV stores as a consumer. The reporter noticed that the sales staff rarely mentioned the above topics if they did not take the initiative to ask whether there are boot advertisements, whether they need to open a membership to watch the program normally, and whether they charge and what the charging standard is.

　　Chen Yinjiang, deputy secretary-general of the Consumer Rights Protection Law Research Association of the China Law Society, believes that the current situation of paid viewing of smart TVs and Internet Protocol Television is very common, and some consumers are also willing to pay for watching their favorite TV programs. However, on issues such as how many dramas members can watch and the cost of membership opening, merchants should make clear prompts before purchasing, so that consumers can choose the corresponding service according to their own needs when purchasing, otherwise it is suspected of infringing consumers’ right to know. At the same time, various impractical programs that require members’ settings and payment settings with obvious "calculation" behavior may be suspected of forced consumption.

　　Many options are cumbersome to operate

　　Very unfriendly to the elderly

　　Returning to his hometown for the Chinese New Year this year, Wang Xu from Zhenjiang, Jiangsu, found that he couldn’t use his grandfather’s TV anymore.

　　"There are only three remote controls, one for Internet Protocol Television, one for cable TV, and one for a cable TV set-top box. I tried to switch from Internet Protocol Television to cable TV for a long time without success. Watching TV itself is for leisure, how did it become so troublesome to operate?" Wang Xu lamented.

　　Wang Xu said that unlike the previous cable TV, which can be watched when turned on, smart TVs and Internet Protocol Television operate like mobile phones. There are various options on the screen, and if you want to watch CCTV Satellite TV, you need to switch the receiving channel. "Now although there are more programs that can be watched after the TV is connected to the Internet, the’threshold ‘for watching TV is getting higher and higher. If you want to turn on the TV to watch the channel you want, it is like crossing a barrier. You have to click on countless options."

　　After interviewing many people in Beijing, Tianjin, Anhui, Jiangsu and other places, the reporter found that the vast majority of people who watch TV every day are the elderly, and for the middle-aged and elderly groups, the operation of smart TVs is obviously too complicated. Wang Xu’s grandfather calls his grandson for help every time he turns on the TV, while the neighbors are the children at home who adjust the TV to their parents every morning before going to work.

　　There are still many inconveniences. During the investigation, the reporter found that Internet Protocol Television has problems such as picture cards, picture deformation, and equipment use. Li Ping from Xinxiang, Henan told the reporter that if you open cable TV members to watch CCTV satellite TV directly through Internet Protocol Television, it will occupy home broadband, and sometimes there will be card phenomena when watching programs.

　　When consumers report to the customer service, some customer service staff do not ask or really solve the problem. The cable TV set-top box of Beijing citizen Li Fei’s smart TV is faulty. To switch channels, you must place the remote control within one or two meters of the set-top box and press it to respond. Changing the set-top box did not solve the problem. The maintenance staff said it was the problem of the system itself. The two sides communicated and pulled for several days, and the maintenance staff refused to repair it.

　　Multi-party collaborative comprehensive governance

　　Improve user TV viewing

　　The reporter retrieved relevant information and found that the problems existing in smart TV and Internet Protocol Television, especially the advertising chaos, have existed since the popularity of digital TV, and have been attracting attention for many years. Why haven’t these problems been effectively solved?

　　Du Leqi, chairperson of the Economic Law Research Association of Jiangsu Law Society and associate professor of Jiangsu University Law School, believes that this is the result of a combination of factors.

　　He introduced that the first is the mismatch between advertising laws and regulations and new types of advertising. With the rapid development of the Internet and digital economy, the advertising industry has also developed rapidly. Today’s advertising methods are more diverse, spread more widely, carry more content, and change more rapidly, which has exacerbated the proliferation of advertising. The embedding of digital or online platforms not only enriches the forms of advertising, but also enhances the concealment of advertising, making it more difficult to use relevant laws and regulations to identify advertisements. Second, there are deficiencies in government regulatory policies and efforts. In the process of law enforcement, government regulators have failed to truly crack down and strengthen supervision. In addition, the technical level of regulatory departments cannot match the market development momentum, and cannot prevent or detect problems in a timely manner.

　　"There is a lack of supervision in advertising industry organizations, social supervision organizations and individual consumers. The self-discipline review mechanism of the advertising industry in our country has not been able to form a complete and multi-level self-discipline system. There is no full-time self-discipline organization in our country, and the self-discipline function of member associations has not yet been perfected. The realization of advertising self-discipline function is mainly undertaken by advertising operators and advertising publishers, but driven by interests, it is difficult for individual enterprises as advertising operators and advertising publishers to be fair and law-abiding. Consumers play a small role in the specific supervision process due to lack of sufficient incentives and weak ability." Du Leqi said.

　　Experts interviewed by reporters believe that to solve the problems of smart TV, Internet Protocol Television advertising, high fees, and cumbersome operations, multi-party collaborative governance is required.

　　In the view of Zhu Xiaojuan, associate professor of China University of Political Science and Law, director and deputy secretary-general of the Commercial Law Research Association of the China Law Society, we should give play to the role of the market, advocate businesses and advertising business entities to pursue profits while assuming social responsibility, actively carry out internal compliance governance system construction, and consciously reduce or even eliminate some unreasonable and illegal phenomena. The Interim Measures for the Management of Internet Advertising and other relevant laws and regulations need to strengthen the targeted adjustment of illegal acts.

　　"In terms of legal responsibility, administrative responsibility is the main one and the amount of punishment is too low to play a deterrent role. The amount of fines should be increased. At the same time, it is appropriate to increase the provisions of civil liability to give full play to the role of legal responsibility. In addition, the lack of administrative management system based on geographical jurisdiction and pre-event supervision power, coupled with the use of technology, affect the effectiveness of administrative supervision. Information sharing and administrative cooperation mechanisms should be established to save the cost of transferring jurisdiction. We should also strengthen pre-trial spot checks and supervision to force relevant entities to standardize behavior. At the same time, we should strengthen the application of technology to actively detect advertising violations and investigate and deal with them in a timely manner. We should also give play to the self-discipline and leading role of industry associations, urge industry associations to formulate industry norms, strengthen industry self-discipline, and promote the healthy development of the industry." Zhu Xiaojuan

　　In the opinion of Tang Wei, a lawyer at Beijing Yinghe Law Firm, for the elderly, the complex membership system is not conducive to their understanding, and smart TV merchants should clearly prompt and guide. For example, issues such as mobile phones, tablets and TVs cannot be used universally are often prone to disputes, and they should clearly indicate the scope and channels of viewing after purchasing such members when charging to avoid disputes.

　　With the consensus that "most TVs are now watched by the elderly", many respondents hope to make smart TVs and Internet Protocol Television senior-friendly. Some people suggest that some positive TV dramas suitable for the elderly should be watched for free. Others believe that radio and television, the three major operators can make their IPTV set-top boxes into TV applications like other apps, and put them in the TV application mall. Users who need them can directly download and install them, which can "control" everything with one remote control like before.

　　Zheng Ning, director of the Law Department of the School of Cultural Industry Management, Communication University of China, believes that with the arrival of the aging society, there are more and more elderly audiences, and it is necessary to carry out the senior-friendly transformation of smart TVs, which is not only the need to implement the elderly rights protection law, but also can reduce the digital divide.

　　"Operators can consider broadcasting some movies and TV dramas that contribute to the construction of a good family style and a clean culture, and the government can also use subsidies, grants, tax exemptions and other means to encourage the broadcast of such films, so as to spread the core socialist values," Zheng Ning said.

Group photo of the production team

1905 movie network news A few days ago, Japanese film master Takashi Miike officially announced that he will direct a mainland action comedy for the first time. The film is produced by Sambo Hung. This is the first collaboration between two veteran filmmakers. It can be described as a collision, two heroes and infinite possibilities.

"When I was in elementary school, I was already exposed to many of his excellent film and television works. At first, I was just a spectator, but after I became a creator, I felt it was a great honor to have such a cooperation opportunity."

The former producer Sheng Yubin promoted the cooperation between Hong Jinbao and Miike Takashi, and revealed that the cast of the film will be mainly Chinese, and Japanese actors Kotori Shun and Kimura Takuya are also under consideration. The project is currently in the script polishing stage and is expected to start production in April and May next year.

Takashi Miike

Samike Takashi: Samike Hung gave me the urge to be a newcomer

Miike Takashi is a Japanese geek director, with masterpieces such as "Killer Aichi", series, etc. His works are diverse in style, with a unique violent aesthetic in action scenes, and a black humor that is as imaginative as Kitano Takeshi. He is a Japanese film master as famous as Kitano Takeshi.

Samike, who has always regarded Hong Jinbao as his film enlightenment teacher, said that this collaboration has given him an urge to be a newcomer and a new stimulus. As for whether his violent style will affect the creation in China, Samike admits that this is not a problem: "I usually don’t do meaningless violence, or this kind of shooting method of violence only for violence. I still want to show the character in the work, how can he escape and resist from the environment, to show the rationality of the story while showing the beauty of violence." As for the cultural nuance of China and Japan, Samike believes that as long as you spend some time to understand it slowly, this difference will give birth to some very interesting works.

Tomoshi Miike, Sambo Hung

Samuel Hung: Visually not too violent

Brother Hong Jinbao is the film supervisor this time. The eldest brother revealed that after seeing the first draft of the script, he and producer Sheng Yubin started looking for a good director who could control the film. It was only after repeated communication, two visits to Japan and many visits that the filmmakers finally confirmed the cooperation. It is reported that a large part of the reason for being able to invite Miike Takashi is because of the eldest brother’s producer status and the brilliance of the first draft of the script.

When it comes to this cooperation, Big Brother said that everyone is still in the further running-in and development stage of the script. On the one hand, he hopes to be as close to Chinese culture as possible, so that domestic audiences can accept it and gain resonance. On the other hand, he wants good directors to play their own style and characteristics.

Regarding the overall style of the film, Big Brother believes that it can give the audience a feeling of violence, but it cannot visually make people feel too violent, which is a hindrance to comedy. How to be creative in action scenes is also crucial. Making a movie is based on audience acceptance and approval.

Samike Chongshi, Sheng Yubin, Hong Jinbao

Sheng Yubin: The cast is mainly Chinese

Sheng Yubin, the producer behind Mr. Samike’s move to China, previously produced Twin Cities and Kuaishou Shooters, two works of wit and black humor in Chinese-language action films. "One is an international director and the other represents traditional Chinese martial arts," Mr. Sheng said of the joint creation between Mr. Samike and Mr. Hung. "Put these two together and there will definitely be some sparks. And the director of Samike has a great appreciation for Chinese kung fu, saying he likes China very muchThree people: Bruce Lee, Jackie Chan, and Hong Jinbao, have always wanted to cooperate with representatives of Chinese Kung Fu, and this opportunity makes him very excited. "

Seung Yubin finally revealed that the film is still in the in-depth polishing stage of the script, and it is expected to start in April and May next year. The cast is mainly Chinese, and Japanese big-name actors such as Shun Kotori, who has worked with Mitsuke Takashi on "Hot Blood High School", and Takuya Kimura on "Infinite Residence" are also under consideration. However, whether it is small fresh meat or old drama bones, the actors will be selected based on the needs of the script. "The director has very strict requirements for filming, and the actors must be given sufficient time and cooperation. If you can’t understand the lines and script, it is unacceptable to memorize the lines on the spot."

　　IMAX Corporation and IMAX China Holding Inc. and Wanda Film’s joint stock company today announced the signing of the largest IMAX-ever agreement to build 150 new IMAX cinemas in 002739.SZ. Under the agreement, the cinemas will be built and distributed across China over a six-year period starting next year, with 110 to be installed by the end of 2020.

　　The deal builds on a long-standing partnership dating back to 2007, when Wanda Cinemas, the cinema arm of Dalian Wanda Group, opened its first IMAX cinema in Dongguan. As Asia’s largest cinema chain, Wanda Cinemas currently operates more than 160 IMAX theaters.

　　Today’s agreement is expected to increase the number of Wanda’s IMAX cinemas by more than 70 per cent to 360, with the majority set to open over the next three years and all signed cinemas scheduled to open by 2022. The agreement will increase the number of cinemas under contract in IMAX China by nearly 60 per cent. The agreement is on top of a contract signed by the two companies in 2013, under which Wanda will build 120 new IMAX cinemas by 2020. Wanda now expects the projects under the previous agreement to be installed by the end of 2016, four years earlier than originally expected. Nearly half of the new IMAX cinemas in Wanda’s cinema chain will be equipped with IMAX’s latest laser projection technology from the end of 2018. The main provisions of the new agreement are highly similar to those of the 2013 agreement.

　　Richard Gelfond, chief executive of IMAX, said: "This is a landmark development in the history of IMAX and a key point in our business growth strategy. In particular, based on our long-term observation, contracted theaters translate directly into theater installations, resulting in higher box office and ultimately increased company revenue. This agreement not only strengthens our leadership position in China, the world’s fastest growing film market, but also reinforces IMAX’s partnership with one of its most important business partners, Wanda Cinemas, and speaks volumes about the value Wanda brings to the IMAX business. Wanda’s significant commitment in the agreement fully demonstrates that our decade-long partnership has far exceeded the original single-theater sales agreement. Wanda and IMAX are now operating under a more sustainable revenue sharing model, providing new opportunities for the release and box office distribution of key Chinese-language films.

　　Since 2013, IMAX and Wanda have collaborated on a number of high-profile Chinese-language films, including "Tai Chi Man," "Get Out! Mr. Tumor" and "Finding the Dragon," which set a box office record for an IMAX Chinese-language film released last year.

　　"The strategic importance of our partnership with IMAX cannot be overemphasized," said Zeng Maojun, president of Wanda Cinemas. "This partnership has been critical to the rapid growth of Wanda’s cinema business and our record of being the leader in the Chinese box office market for seven consecutive years. And our business model will create differentiated film experiences. Combining Wanda’s first-class cinema environment with IMAX’s advanced film technology, we are able to provide the most immersive and powerful film entertainment experience anywhere in China. We look forward to working with IMAX in this successful model to accelerate the rapid expansion of China’s film industry in the coming years, bringing more blockbusters to Chinese audiences.

　　Mr. Zeng singled out the partnership between IMAX and Wanda for playing an important role in the June release of Hollywood blockbuster Warcraft, which was produced and distributed by Wanda Group’s legendary film studio and quickly broke box office records as well as sparking a cultural boom. Warcraft broke IMAX China’s first-day box office record with 35 million yuan ($5.30 million) after its release, and also set IMAX’s zero-point show and pre-sale records in China.

　　With today’s deal, IMAX has signed 284 theaters so far this year, including 229 in China, surpassing IMAX’s previous global record of 277 theaters in a year. The Chinese market accounts for about one-third of IMAX’s global box office revenue.

　　As of June 30, 2016, IMAX had 335 theaters in China, up from 250 in the same period in 2015. Despite the significant growth of the theater network and its presence in more than 100 different cities in China, IMAX’s single-screen average box office has remained steadily between $120 and $1.30 million over the past four years.

　　Earlier this year, IMAX announced four Chinese-language blockbuster summer collaborations, including Wanda Cinemas’ "Kuaishou Gunslinger," Anle Pictures’ "Chow Yun-fa’s" Chills 2, "kung fu superstar Jackie Chan’s fourth IMAX film," Jedi Escape, "and the 3D adventure blockbuster" Tomb Robbing Notes, "directed by Li Rengang and directed by LeTV Pictures and Shanghai Film Group. IMAX also plans to collaborate with" The Great Wall, "starring Matt Damon and directed by Zhang Yimou. In addition, the company is also exploring other potential collaborations, including" Journey to the West 2. "

　　"China is a rapidly growing market and Chinese moviegoers are increasingly demanding film technology and cinematic experience," said Zhang Yimou. "As a filmmaker, I want to do my best to provide the best experience for my fans and look forward to presenting my new work’The Great Wall ‘in IMAX format on IMAX’s growing cinema network."

　　IMAX plans to increase the number of Chinese-language film collaborations in China, with 8-10 Chinese-language films expected to be screened in 2016, including "Three Dozens of White Bones" and "Kung Fu Panda 3" released earlier this year. IMAX’s list of Hollywood blockbusters in China this year also includes "Bourne 5", "Star Trek 3: Beyond the Stars", "Fantastic Beasts and Where to Find Them" and "Doctor Strange". In addition, IMAX China and the Chinese Cultural Industry Fund announced the establishment of a film production fund to jointly invest in 15 Chinese-language films over the next three years.

　　In addition to Wanda Cinemas, Wanda Group also owns the AMC Cinema Line, which is IMAX’s first commercial cinema partner in North America and the largest IMAX cinema chain in the world. AMC is also currently the largest IMAX cinema chain in North America, with 185 existing and committed IMAX theaters.