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　　On April 13th, 1939, The Yellow River Cantata premiered in Yan ‘an. This symphonic epic, composed by the poet Guangweiran and the musician Xian Xinghai, has spread the roar of the Chinese nation throughout China and even the whole world.

　　On April 13th, 80 years later, on the stage of the second season of the large-scale poetry and cultural music program "Classic Chanting" broadcast by CCTV-1, the singers of different times sang this "national strongest voice" during the Anti-Japanese War again.

　　"A country and a nation cannot live without a soul." General Secretary of the Supreme Leader said this when attending the joint meeting of members of the cultural, artistic and social sciences circles at the second session of the 13th Chinese People’s Political Consultative Conference. The Yellow River Cantata, with the Chinese nation’s mother river as the creative background, integrates folk songs and folk music representing excellent traditional culture. As the horn of national spirit, it is always inspiring and enduring from generation to generation, just as the soul of a nation exists in the hearts of generations.

　　The Media Tea Party holds that, after a lapse of 80 years, the stage of "Classic Ode" reproduces this magnificent national epic, and leads the public back to the years when passion is burning with a spiritual dialogue that spans time and space, reminding the public not to forget the spirit of fighting dangerous beaches and waves and the unyielding integrity. By inspiring the cultural identity of Chinese sons and daughters, it encourages the public to gather strength and step on the sonorous drums to move towards a better future.

　　Emotions that make you cry,

　　Called "pure heart" and "national soul"

　　"A chorus can top 100,000 muskets" — — This comment refers to The Yellow River Cantata. In do or die, where the nation was in peril, Xian Xinghai wrote music in a vertical stroke and roared for the war of resistance.

　　On the stage of "The Classic Ode", four The Yellow River Cantata singers of different times performed this magnificent epic together. They are: Li Yifei, a 98-year-old Yan ‘an Luyi student, who was a member of the choir when her work was first performed; Jie Bing, a 97-year-old veteran of the second anti-enemy drama team, The Yellow River Cantata developed from this drama team; Mr. Qu Xianhe, 75, is one of the restorers and reciters of the third paragraph of how the Yellow River’s waters move out of heaven after the founding of New China. There is also Mr. Yu Feng, the 55-year-old dean of the Central Conservatory of Music and a well-known conductor, who re-sang the "Yellow River" spirit of Yan ‘an Luyi in the new era.

　　In the program, the singer’s voice is sonorous and heroic in his old age. As Mr. Liao Changyong, a member of the appreciation group of "Classic Ode", said: "How many people embarked on the revolutionary journey by listening to this song, and how many people went to the front line by listening to it and gave their lives to the country and the nation. This work has accompanied us in China for 80 years, which is not only a musical position, but also a spiritual position, which is supreme."

　　This year marks the 70th anniversary of the founding of New China. After 70 years of hard work, great changes have taken place in China. No matter in the history of the Chinese nation or in the history of the world, this is an epic of earth-shaking struggle. Looking back at the history of our country and reliving the unforgettable national memory, culture is undoubtedly the most resonant, penetrating and infectious carrier.

　　Media Tea Party believes that as a program that deeply cultivates Chinese excellent traditional culture, Classic Ode to the Spread pays special attention to seeking a breakthrough in conception this year, strengthening the modernity and fashion of classic poetry through new melody editing, song interpretation and mass communication, and deeply excavating the contemporary value and world significance of China’s excellent traditional culture. The new interpretation of The Yellow River Cantata in the program vividly reflects the struggle practice of the Party and the people in the form of music, and at the same time, it encourages all Chinese people to carry forward the past and struggle.

　　The reason why classics are not old,

　　Because it is rooted and continues the blood of culture.

　　"When we hear this song again, we will still be excited by the blazing patriotism in the song. Recalling the past, the road ahead is far away, and our generation shoulders heavy responsibilities and lives up to good times! " After this issue of "Classic Chanting" was broadcast, an audience left a message like this.

　　From war to peace, from weakness to prosperity, from humiliation to revival — — For today’s public, the memory of the times represented by The Yellow River Cantata seems to have been "yellowed" for a long time, but why does this revolutionary symphonic epic always haunt the public’s mind, and every time it is heard or sung, it will arouse such a strong spiritual resonance?

　　The Yellow River is the cradle of the Chinese nation. It has nurtured Chinese civilization and nurtured Chinese children. Throughout the ages, literati in all previous dynasties regarded the "Yellow River" as a symbol of heroic and unyielding national spirit. This irreplaceable totem significance has already penetrated into the bone marrow of Chinese children — — No matter where we are, it is not blood that flows in our veins, but the water of the Yellow River.

　　The Media Tea Party noticed that many viewers enjoyed the third movement of The Yellow River Cantata for the first time because of the classic chant, which was a recitation of a poem with music, beginning with Li Bai’s classic poem "how the Yellow River’s waters move out of heaven". At that time, Mr. Guangweiran complained bitterly about the national disaster with nostalgia and praised the heroes of the times, which made this work with the "Yellow River" as the spiritual carrier have unprecedented depth and vastness.

　　Classics can talk to the past or wave to the future. Therefore, every time the The Yellow River Cantata resounds, a mighty national memory will flow in our mind, and the roaring of the Yellow River, which has been baptized by war, has multiplied the inspiring power. This long-standing cultural identity is unforgettable and unswerving. The Yellow River Cantata is reappeared in Classic Poems, in order to make the water of the Yellow River surge in our hearts forever, and provide a strong spiritual incentive for moving forward.

　　"Eighty years ago, the Yellow River roared, sending out the voice of national salvation; Eighty years later, the Yellow River roared and sounded the horn of the great rejuvenation of the nation. "This is the simple voice shared by the 98-year-old Li Yifei.

　　Zhang Andong, the son of Mr. Guangweiran, also said with emotion in Classic Ode: "A foreigner says that a nation that can create The Yellow River Cantata is an unyielding nation. What I want to say is that a nation that can continue to perform this work for 80 years is a great nation; A nation that can continue to inherit the spirit of The Yellow River Cantata should be a nation that creates brilliance. "

　　Bacon casts souls,

　　Literary and art workers should be portraits, biographies and virtues of the times.

　　In 1939, when Xian Xinghai was visiting a young poet lying in his hospital bed, he heard the recitation "Ode to the Yellow River" about the roaring and rushing of the Yellow River, and immediately his thoughts surged and he completed the The Yellow River Cantata.

　　The reason why this work is awesome lies not only in the content itself, but also in the hardships and sincerity of behind-the-scenes creation. In the past, artists of the older generation in Yan ‘an used petrol cans as bass, tea pots as percussion music and bullet casings as sound flutes & HELIP; … In the extremely simple environment, they played a voice for the public with their heart, affection and hard work, and deeply engraved their works in the memory of the times of all Chinese people.

　　At the first performance, the auditorium was very small, and a program had to be performed 17 times before the audience could watch it in turn. Many times, they climb mountains and perform for soldiers, militiamen and women on earthen platforms.

　　"Classic Chanting" shows the musical instruments found in Harbin Conservatory of Music and used in that year’s performance. When the copied "oil drum bass" was played on the stage, the timbre was so clumsy, but everyone fell silent. The program sensibly makes everyone realize that the artists of that year were performing the sacredness in their hearts and expressing their love in flames under what difficult conditions. Li Yifei proudly said: "This is the creation of our musicians!"

　　The Yellow River Cantata’s "roaring" again is an inspiration in revisiting and a torture in contemplation. Any nation can not achieve national prosperity and stand among the nations in the world without the active guidance and strong support of its own excellent culture — — Do today’s cultural and literary workers really shoulder the important responsibility of enlightening thoughts, cultivating sentiment and moistening the soul, and truly undertake the mission of the times of educating people with culture, educating people with literature and cultivating people with literature?

　　Mr. Xian Xinghai once said: "Our folk songs are not folk tunes, but people’s songs." Today, this still guides our artistic creation: only when the works are closely combined with a country, a nation and an era can we truly have the vitality that reaches people’s hearts and surges.

　　According to Media Tea Party, programs like Classic Chanting not only show the influence of traditional culture on Chinese people in the contemporary era, but also strengthen Chinese’s recognition of the culture we have inherited for many years. The new era calls for outstanding writers, artists and theorists. Literary and artistic creation has a vast space, and it insists on keeping pace with the times, taking the people as the center, dedicating people with fine products, and leading the fashion with mingde — — We expect more "The Sound of Endeavour" to be sung constantly, and become the next classic that will be circulated forever in the sigh of the times.

On July 8, another brand-new masterpiece of light-chasing animation landed in the "summer file" in 2023 on time, adding another cornerstone to the road of the rise of the country. Unlike the previous series of films "The White Snake Universe" and "The Goddess Universe", "Three Wan Li in Chang ‘an" pays more attention to historical facts. With the narrative strategy of the intersection of reality and reality, the multi-dimensional characters and tang style’s aesthetic style, the creative team wrote the epic of the rise and fall of the Tang Dynasty and splashed ink to describe the feelings of Chang ‘an and Wan Li.

Narrative strategy of the intersection of reality and reality

The story of Three Wan Li in Chang ‘an begins in the border area with crisis after An Shi Rebellion. At that time, Cheng Yuanzhen, a military supervisor, proved Gao Shi’s loyalty and patriotism and led him to recall his life with Li Bai. At this point, the main plot is unfolded in the poem "Mochow has no confidant in the road ahead, and no one in the world knows Jun". The ancient and the present, the virtual and the real together constructed the history of the Tang Dynasty from prosperity to decline, and the truth, falsehood and all kinds of changes during this period were also free for later generations to comment. This arrangement not only gives the audience a sense of participation, but also adds to the legend of the film.

The sense of intersection between reality and fiction in Three Wan Li in Chang ‘an mainly stems from its unique perspective of recollection and narration. The film adopts the narrative mode of "two male masters", traces back his life with Li Bai through the mouth of high comfort in his later years, and takes the friendship between them as an opportunity to explain the history of the Tang Dynasty from prosperity to decline. The third-person narrative perspective gives the film a kind of alienation effect. The audience stared at Tang Shi and the Tang people from the sidelines, writing legendary epics for the Tang Dynasty and legendary poems for Li Bai. As a narrator, Gao Shi is pragmatic and "grounded". Unlike Li Bai, he does not talk about the heavenly palace, immortals and Taoism, but tries to describe those real and substantial things as much as possible. Therefore, the film highlights the importance of narrative space. From the microscopic point of view, Chang ‘an Three Wan Li adopts repetitive narrative techniques, presenting the same space in different situations for many times, and showing the historical process of the rise and fall of the Tang Dynasty and the transition of the characters’ emotions. In the film, Gao Shi went back to Liangyuan three times, went to the Yellow Crane Tower three times, went to Chang ‘an three times and went to Yangzhou two times. Every time he went and left, he was closely related to Li Bai and the progress of the times. "Born in Sri Lanka, grew up in Sri Lanka, died in Sri Lanka, and was remembered in Sri Lanka. His soul is full of qi, and there are those who die." As a place where Gao Shi grew up, Liangyuan is a spiritual place for Gao Shi to find himself and improve himself. However, the quiet years of Liangyuan were always disturbed by Li Bai, and his fame and downfall constantly stirred Gao Shi’s heart, thus pulling him out of Liangyuan. Or enjoy the prosperity of the Ming dynasty in the prosperous Tang dynasty, or sigh the choppy waves in the underground of the Tang dynasty.In the end, Gao Shi saw the brilliance of poetry in the prosperous Tang Dynasty and knew his ambition to serve the country. Seeing the women dancing on the high shelf in the smoke of war, I clearly felt the compassion of the people of Tang Dynasty in prosperous Chang ‘an. Seeing that Li Bai regards grief as nothing, cherishes a sincere and open-minded life, and determines the natural way that belongs to the mountains and rivers. From a macro perspective, Three Wan Li in Chang ‘an creates a dual narrative space in which memories and reality coexist, and integrates narrative time and narrative space, thus sketching the flow curve of time and depicting a colorful picture of history. In the meantime, the tension between Yin and Yang in the prosperous time of Chang ‘an converged into a narrative clue, and the decline of Daoming in the prosperous Tang Dynasty was closely related to the reasons such as the view of the gate, the prime minister in power and the loss of talented people. The film does not show cause and effect, but it is full of logic, which seems unexpected and reasonable.

The highlight of the film lies in its accurate grasp of narrative rhythm. First of all, the plot of the film is properly arranged. Although The Three Wan Li in Chang ‘an tells the story of the decline of the Tang Dynasty, it focuses on the growth and friendship between Gao Shi and Li Bai, and almost ignores the important events in court, only talking about the border difficulties directly related to Gao Shi. This arrangement shows the relationship between the times and people to the fullest. Secondly, the sad and happy narrative rhythm of the film also fully mobilized the audience’s emotions, which better served the narrative theme of the film: there are gorgeous chapters in prosperous times and heroes in troubled times. Generally speaking, the film presents two narrative themes, which emphasize the individual’s way of seeking the way and praise the inheritance of the article. On the one hand, Chang ‘an is a treasure-house for aspiring people to display their ambitions, and people represented by Gao Shi intend to go to Chang ‘an with lofty aspirations. However, the so-called "Three Wan Li" is actually a distant horizon. The prosperity and peace are like a dream bubble, and the decline of Chang ‘an is only in the morning and evening, which is very helpless. However, being a courtier, you should be loyal to what the king entrusts, and eventually retreat from the enemy. After the king’s affairs in the world, he filled himself with innocence, but he returned to heaven and earth, looking between mountains and rivers and poems, seeing heaven and earth, seeing all beings, seeing himself, finding his own way, doing his own way, and showing his way with articles. On the other hand, Chang ‘an, as the accommodation of famous poems of Tang Dynasty, shows the prosperity of Tang Dynasty. At the end of the film, Gao Shi embraced "The Collection of the Heroes of the River Yue" and played the "Chang ‘an" flying flower order with his entourage, depicting the people and things, history and events behind the "Chang ‘an" poem.道与法，诉说着“文章千古事，得失寸心知”的真谛。也正因此，影片传递出一种悲情，这种悲，既是情绪之悲，即大时代下人物身不由己的宿命之悲；更是情感之悲，即反抗宿命而寻求自我的悲壮；还是情怀之悲，即兼具人道主义与人文关怀的悲悯。这种悲怆掩藏在乐观主义与豁达心境之下，并随着长安的故事层层递进，圈圈晕染而开，最终在文与道的和谐图谱中化为人文关怀，给人以温情之感。于是，故事寥寥几笔道出一众盛唐名人的悲惨结局；将杜甫置放在“春风得意马蹄疾，一日看尽长安花”的静好岁月中；让李白肩比彩云，同仙鹤归，在声声猿啼间，踏轻舟拍绿浪，乐辞白帝城。

Multi-dimensional characters

The reason why "Chang ‘an Three Wan Li" scored more than 8 points in Douban on the second day of its release lies in the pluralistic and three-dimensional characters created by the film. The film depicts the decline of the prosperous Tang Dynasty with memories of Gao Shi’s later years. With the development of his friendship with Li Bai, those figures who left a strong impression on the elegant charm of the Tang Dynasty appeared one by one, and embellished the paintings of the Tang Dynasty with scattered perspective, each interpreting his own anecdotes. In this way, "Three Wan Li in Chang ‘an" is like a picture of the Qingming Riverside only belonging to the Tang Dynasty. This scattered perspective style of creation endows the film with a synchronic sense, and Zhang Xu, He Zhizhang, Wu Daozi, Wang Wei, Du Fu and others gather together to show the prosperity of the Tang Dynasty. But the tragic ending of all the characters without exception once again highlights the historicity of the film. This can’t help but make people sigh. As long as poetry is there, Chang ‘an will be there. Even though time is fleeting, the ups and downs are common in the state, and Hua Zhang looks like water flowing from the east. With the help of media such as pen, ink, paper and inkstone, history will not be forgotten, and civilization will continue to last forever.

Three Wan Li in Chang ‘an also created two extremely three-dimensional characters, Li Bai and Gao Shi, which are intertextual with history and basically meet the aesthetic expectations of the audience. Li Bai is the "ceiling" of the romantic poets in the Tang Dynasty. His poems are fantastic and magnificent, and he is the image of a fallen immortal who is detached from the six realms in the eyes of the world. Different from previous cognition, Li Bai in the film is a little more "popular". He has pride in his heart, and will be ashamed of himself because of Cui Hao’s "Climbing the Yellow Crane Tower", and he is determined to write a good poem in Yangzhou; He has a stubborn temper, and together with Pei Twelve, he robbed Zhezhi dancers. He is confused and confused, and will ask Meng Haoran for the answer to whether he is adopted by wife or not; He may even make mistakes, indulge in drinking and forget the agreement with his friends. However, this complex image also highlights the contradiction of Li Bai from the side. He has a soul born and a heart to join the world. He hopes to show his ambition, but he can only wander between poetry and wine. Therefore, after he lived in seclusion in Lushan Mountain, he went out to write poems for Yongwang at his request. The design of this plot presents the arrogant Li Bai who can sing "Go out laughing in the sky" and the helpless Li Bai who can whisper "Don’t you see, how lovely locks in bright mirrors in high chambers, though silken-black at morning, have changed by night to snow" in history to the audience. Compared with Li Bai, Gao Shi’s characterization is more stylized. He was born in a humble background, inarticulate, and not a scholar, but hard work became his label, so he grew into a military commander who was independent and regained Chang ‘an.On Gao Shi’s body, the growth arc is shining. However, standing on the long river of history and looking at Gao Shi, he is just one of the sentient beings. In the film, he is more portrayed as a middleman. Standing in the middle of Chang ‘an history, he was the only one who saw prosperous Chang ‘an and ruins Chang ‘an. Standing in the middle of the development of poetry, he has a heart-to-heart relationship with Li Bai, a "poetic immortal", and with Du Fu, a poet who connects the elegant posture of Tang poetry with the documentary tendency of Tang poetry. In fact, Li Bai and Gao Shi are both similar and different. They met when they were young and had a good yearning for Chang ‘an, but since Yangzhou, they have embarked on their own paths. Nature, karma, Li Bai and Gao Shi seek different ways and do different things. The film puts the conflict between romanticism and historicism in the foreground, and once again hangs the issue of birth and accession to the WTO between the two people and the audience. At the same time, it also gives its own answer: the narrative of retiring from Tubo with high fitness and courage and the ending of traveling around the world with "The Collection of Heroes of the River Yue" make the birth and accession to the WTO reach a settlement, that is, the gentleman should take it for granted, as written in Li Bai’s "The Chivalrous Man", and "he can go to the WTO and hide his fame." In the film, Li Bai personally said that "Chivalrous Journey" was made according to Gao Shi’s image, which also showed Li Bai’s heart of joining the WTO. However, under the shadow of the times, Li Bai’s fate has long been doomed, and fatalism has cast a sadness on Li Bai. It is also in this situation that Gao Shi’s resistance to fate is even more tragic.Compassion for others is also more powerful.

Full of tang style’s aesthetic style.

"Three Wan Li in Chang ‘an" takes everyone back to the historical process of the Tang Dynasty from prosperity to decline with the help of Gao Shi’s mouth. Its memories began in the prosperous Tang Dynasty and ended in the late Tang Dynasty. The film shows the national aesthetics of the Tang Dynasty fashion.

When you first watch this film, the audience will be shocked by the elegant posture and unruly state of the weather in the prosperous Tang Dynasty. Zhang Xu and He Zhizhang in the Four Scholars of Wu Zhong, who are famous for their madness, associate with wine all day long, and their "cursive" works are also abandoned with their hearts, without the worldly turbidity of the world of mortals. Similar to the sense of emphasizing lines in calligraphy, Wu Daozi, the representative of the peak of Tang painting, also pursues to outline the charm of people and things with a few lines. He once said, "Everyone is close to expectation, but I am detached from painting. Everyone is attached to iconicity, and I am detached from vulgarity." It is true that the characters he painted have a round brushwork and the clothes are fluttering in the wind. This style of "Wu Dai Dangfeng" shows the character of the people in the prosperous Tang Dynasty to the fullest. In order to let the public better understand this style, ink painting is inserted from time to time in the film, which gives the picture enough sense of blank space, fully mobilizes the imagination of the audience, and makes it look white in the air and has its charm. Apart from painting and calligraphy, poetry is the label of the Tang Dynasty. Among them, Li Bai’s works are the pinnacle of the prosperous Tang Dynasty, and his romantic style is full of fairy tales and divorced from the secular world, which is the most typical representative of the prosperous Tang Dynasty.

The Tang Dynasty was an inclusive era, and harmony without diversity and eclecticism created prosperity. In the film, there are only dances, such as zhezhi dance and Hu Ji. The film also inherits the inclusiveness of the Tang Dynasty, and combines the cultures of poetry, calligraphy, dancing, painting and wine to visualize poems, which not only brings dramatic spectacle to the audience, but also tries to reproduce the mood and feelings of the characters at that time. Take the scene of Li Bai entering Taoism and drinking with Cenfuzi and Dan Qiusheng as an example. When Li Bai’s officialdom was frustrated and Confucianism could not be broken, he decided to enter Taoism. Although Li Bai was extremely depressed as a whole, his pride and immortal spirit accumulated in the prosperous Tang Dynasty still enabled him to create a masterpiece "Coming into Wine". The film incarnates the poem, which makes "Brewmaster" Li Bai see the distance of the temple in the colorful chaos and sigh the sorrow of life, but after tasting the wine, he is impressively open-minded and returns to sincerity. At this time, he is like Zhuangzi wandering freely, seeing through the secular world, and seeing Kun Peng soaring up to the Nine Wan Li and reaching the realm of being selfless, the God-man being useless and the saint being nameless.

The Tang Dynasty is an era of poetry. If we talk about the Tang Dynasty, we must talk about poetry. Three Wan Li in Chang ‘an presents the essence of Tang poetry in art and spirit respectively. One is image aesthetics. "The English of the text is fascinating, and there are shows and hidden ones, and those who are hidden are also important outside the text; The show is also the one who is the best in the article. " The film uses a large number of image symbols bearing emotion, which are grouped at a specific moment, so that it can be upgraded to artistic conception, so that the audience and the protagonist can be isomorphic, and the blank space can be seen in a limited picture, so that they can feel what they feel, think what they think, realize what they understand and appreciate the long aftertaste. Three Wan Li in Chang ‘an is in harmony with form, and images abound. For example, the bright moon in the cup, which refers to Gao Shi and Li Bai’s confused mood, makes the audience feel the helplessness of the two; Knowing An Lushan’s rebellious heart and trying to save Guo Ziyi, the red plum blooming in the snow represents Li Gao’s indomitable patriotic ambition and sincere loyalty to the monarch; The cranes in the air always around Li Bai set off Li Bai’s unrestrained and free mind in this life; In the war-torn Chang ‘an, the woman dancing on the high shelf can’t help but make people cry. Chang ‘an, a prosperous city, is ablaze in the morning and evening, and seems to be in ruins. The sadness is beyond words. The second is the spirit of poetry. On the one hand, the spirit of poetry is embodied in "everyone can write poetry". Even Gao Shi, who is born with defects, can make a famous sentence of "half of our men at the front were killed, but the other half are living, and still at the camp beautiful girls dance for them and sing".The poem boards that can be seen everywhere in the Yellow Crane Tower and the frontier fortress also show the flourishing state of poetry in the Tang Dynasty. On the other hand, the poetic spirit is isomorphic with Li Bai’s wild, free from vulgarity, optimism and open-mindedness. The film starts from "Everyone in the world knows the monarch" and ends with the flying flowers in Chang ‘an, which integrates poetry into the history of Chang ‘an’s rise and fall, and shows the infinite vitality of poetry.

In the Tang dynasty, people had the joy of being an official, but also the sadness of losing their ambition; There are joys of fame and sorrows of inaction; There are joys of making friends and sorrows of loneliness, and people’s joys and sorrows are like the moon’s full moon. Although the film does not express feelings directly, it shows feelings everywhere in the narrative. Its main line is to start from questioning friendship, love for national conditions and loyalty to the monarch, and to prove the truth of friendship and express the sorrow of the times in the promotion and development of memory and history. Based on the present situation and reviewing the development history of Chinese civilization, Chang ‘an Three Wan Li is undoubtedly another masterpiece of creative transformation and innovative development of Chinese excellent traditional culture. The "universe of Tang poetry" created by it strongly demonstrates the cultural self-confidence of the Chinese nation, and highlights the enterprising spirit of the Chinese nation to be upright and not conservative, and to respect the ancient and not retro. Because "Three Wan Li in Chang ‘an" has stirred people’s hearts for a long time, we are even more convinced that in the future, Guo Man will continue to exert his efforts to promote national aesthetics, produce more masterpieces, and promote the high-quality development of "China Animation School". (Author: Zhang Jingwu, a professor and doctoral supervisor at School of Communication, Fujian Normal University; Wang Wen, a graduate student majoring in drama, film and television, School of Communication, Fujian Normal University)

?Editor’s　Note:

Novel coronavirus is spreading around the world at an alarming rate, but we should not be surprised. Globalization has brought systemic risks. As the links between trade, finance, tourism, internet and other fields become closer and larger, they also become more complex and unstable.

Edward Lorenz, the father of chaos theory, pointed out that a butterfly flapping its wings over Brazil may trigger a tornado in Texas, USA. The increasingly integrated and complicated global economy makes it more vulnerable to the consequences of "Butterfly Defect". For example, major airport hubs are powerful promoters of the positive effects of globalization, but they are also powerful communicators of the negative effects of globalization, and one of the "public hazards" they spread is epidemic diseases.

The PUP author from Oxford University, who is to be introduced to you today, warned governments in a book published six years ago that the systemic risks brought by globalization would threaten all of us, and the next global crisis would probably stem from the widespread epidemic of a disease.

The extensive connection of people leads to health risks

The density and intensity of contact between people and between people and animals are the decisive factors for the development and spread of epidemic diseases. In 1967, Stanley Milgram conducted an experiment to quantify global connectivity. He found that people can meet any stranger through at most six people.

In 2011, Facebook analyzed its 721 million users worldwide, trying to find out how many steps it takes to establish contact between any two people. It turns out that even though users are separated by thousands of miles, any two users only need 4.7 "friends" on average to be connected.

Population growth and the expansion of travel scope, coupled with the intentional or unintentional transshipment of animals (mice on board or mosquitoes on the plane), have rapidly increased the risk of epidemic spread. As we saw in the SARS epidemic in 2003, a toxic pathogen usually only needs short contact to infect someone and spread it. This makes airplanes and international travel become vectors of disease transmission.

High concentration of people raises health risks.

In 2025, the proportion of urban population in the world is expected to rise to 70%. The population density in Tokyo is as high as 5,847 people per square kilometer, and one in every 25 people lives in a mega-city, so it is necessary to "monitor, prepare and respond to infectious diseases". This practice is very important everywhere, especially in places with high population density and poor sanitary conditions, places where people are in close contact with animals, and places where water sources are easily polluted.

The risk of agglomeration will also amplify the connectivity risk within urban agglomerations and around the world, especially because major airport hubs are often located next to these cities. If an infectious disease originated in a metropolis, it is almost impossible to stop it from spreading around the world. Large cities are also usually inhabited by floating population and businessmen connected with other continents.

Gossip and Panic —— Information Management in Epidemic Prevention and Control

Now, all kinds of information and rumors can spread almost instantaneously through the Internet and social media. With this ability, the risk of panic related to infectious diseases has also increased dramatically, which has doubled the complexity of epidemic management.

Information management is essential, because panic may systematically aggravate the danger of the epidemic: during the epidemic prevention and control period, the government needs to control the flow of people and drugs, and if people frantically buy and hoard drugs, masks and other materials out of panic at this time, many important services will be greatly affected by people’s reaction.

When trying to prevent large-scale panic, governments may also choose to suppress some important information. In the social network of the financial world, there is evidence that "individual decision makers usually pay attention to the behaviors, decisions and even beliefs of others who have social contact with them (such as the perception of risks)." It is in this sense that innovation and technology also increase the risk of infectious diseases; In addition to tangible channels of transmission, we also need to be aware of the existence of risks related to "social" infection.

Another challenge comes from the management of the dissemination of sensitive research information. For example, the debate revolves around the US government’s decision to ask the major scientific journals Nature and Science to suspend publishing research on the evolution of H5N1 influenza virus. According to Medical News Today, although these studies were finally published, they were "shelved because the international community was worried that making these data public would make it easier for terrorists to make chemical and biological weapons".

PUP content express:

The Butterfly Defect:　

How Globalization Creates Systemic Risks, and What to Do about It

　

Author: Ian Goldin and Mike Mariathasan

Publication date: October 20, 2015 (paperback edition)

ISBN:　9780691168425

Highlights of the book

The Butterfly Defect emphasizes the widening gap between the new systemic risks arising from globalization and its effective management. This book shows that the turbocharged globalization power has the potential and power to undermine the stability of our society. Ian Goldin and Mike Mariathasan borrowed the latest insights from various disciplines and provided practical guidance for governments, enterprises and individuals on how to better cope with globalization and its risks.

Goldin and Mariathasan proved that systemic risk problems are now ubiquitous in supply chain, epidemic, infrastructure, ecology and climate change, economy and politics. Unless we solve these problems, they will lead to greater protectionism, xenophobia, nationalism, and inevitable de-globalization, increased inequality, conflicts and slower development.

The Butterfly Defect shows that in an interconnected world, reducing uncertainty and risk is an important task for our future development.

About the author:

Ian Goldin & Mike Mariathasan

　

Ian Goldin

Dean of Martin College, Oxford University, UK, Professor of Globalization and International Development Department, Oxford University.

Mike Mariathasan

Assistant Professor, Department of Finance, University of Leuven, Belgium

　　After 70 years, India’s 200 million Dalits are still "like dirt" and it is difficult to break through the caste barrier

　　[Special correspondent of Global Times in India Zhou Liangchen Special correspondent of Global Times Zhang Xiaozhu Global Times reporter Xing Xiaotong] On the 25th, India officially welcomed Cowende, the president from the untouchable class. This is the second untouchable president in 20 years. Because Cowend’s campaign opponent is also an "untouchable", this makes many people feel that "untouchable" is getting more and more attention in India, and their spring has come. The actual situation is far from so optimistic. In the decades since Indian law abolished the caste system, although the lives of the people in Park Jung Su (also known as untouchables) at the bottom have been greatly improved, and many elites have emerged from the political and business circles, they are, after all, a very small number of the 200 million untouchables. In Indian society dominated by Hinduism, especially in rural areas, most "untouchables" are still deeply bound by traditional "hidden rules". Although the modern democratic electoral system has made "untouchables" the darling of the election season, the reality is that "someone here is not disturbed by his life experience when he becomes president, and it is embarrassing to be murdered and raped there."

　　Contrast-someone is president and someone is on hunger strike.

　　"A Da Park Jung Su has become the president of this country, but in a village in Andhra Pradesh, 300 Da Park Jung Su families are facing social exclusion." On the 25th, Cowende, who was born as a Dalit, was formally sworn in as the President of India, which was a big day for the large Dalit class. However, the website of India Today reported that more than 300 Dalit families in Andhra Pradesh began to hunger strike indefinitely on the same day to protest against discrimination by high caste groups.

　　The incident originated on April 24th when the local people in Park Jung Su erected a statue of Ambedkar (a lawyer from "Dalit" background, known as "the father of Indian Constitution"), but it was opposed by the high caste community, and the statue was removed by unidentified people within a few hours. Moreover, because Da Park Jung Su people mainly work in agriculture but have no land, high-caste landowners refuse to continue to employ them.

　　On the 26th, New Delhi TV station paid attention to the reaction of Park Jung Su community in Bonda, the northern part of Cowend’s hometown. According to the article, Cowend’s inauguration as president has hardly caused repercussions in the village of Mubarakpur, where Park Jung Su people are the majority, and everyone can’t agree whether he will bring good luck to the people of Park Jung Su. A pharmacist in Da Park Jung Su mentioned that local villagers had recently built a separation wall. According to this report, in another Da Park Jung Su village 5 kilometers away, many people still don’t know who Cowende is.

　　Not only the people in Park Jung Su who are at the bottom, but also to many Indians, Cowend is a stranger. Some analysts said that the ruling People’s Party launched Cowende in order to win the votes of the "untouchables" in the 2019 general election. After all, there are 200 million people in this group. There are "untouchables" complaining. Instead of this, it is better to let "untouchables" enter the temple and get water from the well …

　

　

　　Participation in the situation-from discrimination to violence

　　"Dalits, like the word proletariat, stand for’ oppressed people’ and have been widely used in Indian society in recent years." Manorankin Mohanty, chairman of the Institute of China Studies in India and former professor of political science at Delhi University, said in an interview with the Global Times that "the Indian Constitution explicitly opposes caste discrimination, and the law allows Dalits to enter temples and fetch water, but that is only at the legal level. The discrimination against Dalits has not been eliminated in real life."

　　About 80% of Indians believe in Hinduism, and they were born in the caste order. According to the traditional teachings of Hinduism, people of high caste are polluted just by seeing Da Park Jung Su, let alone touching it. Da Park Jung Su had to carry a bag with him when he went out in ancient times, so as not to pollute the land. If they travel during the day, they should bring a bell and ring it in advance to remind people to avoid it.

　　Even today, in some Indian rural areas, if you see someone walking with their shoes in their hands instead of on their feet, it must be Da Park Jung Su. Because "Dalits" must be barefoot when they pass through the residential areas of high castes. There are also "untouchables" who ride through high-caste residential areas and have to get off and push them.

　　Walking around the Indian countryside, you will find that many villages are composed of two parts. Outside the village is a small residential area, and this "village outside the village" is the residence of "Dalits". Ordinary villagers generally don’t visit the homes of "Dalits", and "Dalits" don’t visit the village except to provide services. The temples used by ordinary villagers do not allow "untouchables" to enter, and the wells do not allow them to use them.

　　An article in The New York Times about Indian "caste discrimination" once told a case: a grieving father reported to the police that his daughter was missing, but the police asked, "What caste are you?" When he revealed that he belonged to a low caste, the police laughed at him and gave him no attention. A few hours later, the bodies of his 12-year-old daughter and 14-year-old niece were found hanging from a tree, and both were raped.

　　According to the article, the upper castes are rarely put into prison for raping da Park Jung Su people, and if they need to defend themselves, they can always find a statement: We will never touch women with lower castes. In a case in 1995, the accusation of gang rape made by a woman in Park Jung Su was rejected by the judge on the grounds that "it is impossible for an upper-caste person to rape a lower-caste woman to get dirty".

　　According to a report of the Indian National Human Rights Commission in 2010, crimes against Da Park Jung Su people occur every 18 minutes; On average, three da Park Jung Su women are raped and two are murdered every day. Park Jung Su people are not only worried about their safety, but also their overall quality of life is quite low: about 37% of Park Jung Su people live below the poverty line, 83 out of every 1,000 children in Park Jung Su die before their first year, and 12% do not live to their fifth year.

　　According to the statistics of the National Crime Records Bureau of the Indian Ministry of Interior, from 2009 to 2015, there were about 227,000 recorded crimes against Park Jung Su people. From 2009 to 2013, there were 3,194 murders in Da Park Jung Su, and 7,849 women in Da Park Jung Su were raped. Because the defendants and their supporters (including the police) destroyed evidence, obstructed trials and threatened witnesses, the conviction rate in these cases was very low.

　

　

　　Care-decades of "reservation policy"

　　Indian society does not turn a blind eye to what happened to the Da Park Jung Su people. After India’s independence in 1947, under the vigorous advocacy of the civil rights leader of Dalit, Ambedkar, the Indian Constitution not only explicitly stipulated that caste discrimination was illegal, but also implemented a "reservation policy" for Dalit and remote tribes, that is, reserved certain places for them in government departments, state-owned enterprises and institutions of higher learning. Because these ethnic groups are listed in the schedule of the Constitution, they are called "scheduled castes" and "scheduled tribes".

　　When visiting Nehru University in India, the Global Times reporter found that the proportion of care for "list castes" here is quite large. It can be said that nearly half of the students are "disadvantaged classes" who are taken care of, and many of them are far away from their hometowns in southern or northeastern India. The common feature of these students is that they are diligent and eager to learn.

　　The reporter has a doctor friend at Nehru University, with dark skin and a belief in Buddhism. Later, it was pointed out that those people who look "very Indian" but believe in Buddhism are probably from Park Jung Su, but they rarely mention their origins, but struggle silently.

　　In order to get rid of the fate of oppression, many people in Park Jung Su changed their religious beliefs. According to statistics, nearly 90% Buddhists, 1/3 Sikhs, 1/3 Catholics and most Muslims in India were once "untouchables". But on the whole, proselytes are still a minority.

　　The Indian government has promulgated many laws for the people of Park Jung Su, such as the Civil Rights Protection Act of 1955 and the Anti-Atrocities Act of 1989. In 2015, the amendment to the Anti-Atrocities Act clearly pointed out that Da Park Jung Su people have the right to use public facilities and have the right to enter religious places of worship. If anyone intentionally interferes, it will be considered as a violation of the Anti-Atrocities Act.

　　For decades, many efforts have made great achievements, especially the "reservation policy" has played a positive role in breaking the occupational hereditary caused by the caste system and improving the social status of "untouchables". Outstanding figures from "untouchable" backgrounds appear constantly. In politics, there are two presidents, the chief justice and the speaker. Mayawati, known as the "untouchable queen", has served as the chief minister of Uttar Pradesh, the most populous state, for four times.

　　The attention paid to "Dalits" can be seen from this presidential election. The Indian Express said that when the chairman of the People’s Party announced Cowend as a candidate, he mentioned his caste background 15 times, and the Congress Party was forced to introduce the candidate of Da Park Jung Su. "Being a Da Park Jung Su suddenly became a virtue of Indian politics."

　　However, in the eyes of some da Park Jung Su people, once the election is over, I’m afraid no one will continue to care about their situation. Moreover, although Da Park Jung Su people have a certain proportion of seats in the legislature, there are not many people who actively speak for them. On the one hand, these politicians are limited to belonging to different parties, on the other hand, they are afraid of their high-caste superiors.

　　Caste-at the core and secretive.

　　Some Indian scholars believe that the caste system can be said to be the core of Indian society to some extent. Just because it is at the "core", it can’t be seen on the surface, and it is secretly affecting the operation of this society. The caste system is very complicated. It is related to skin color but not absolute. It is related to occupation but not absolute.

　　A reporter from Global Times once saw a doctor in a hospital in New Delhi. He met a doctor with fair skin and elegant speech. Seeing that his signature was Sharma, he was basically a Brahmin. However, in contemporary India, there are also special cases in which Hindus from lower castes convert their families to other religions or even change their surnames. Sometimes in the workplace, people will consciously dilute the traces of caste, and some people with low castes like to "hide their names", such as all calling themselves "Kumar". A reporter from Global Times called the Indian Ministry of Foreign Affairs to find a staff member Mr. Kumar whom he had met before. As a result, there was laughter on the other end of the phone: There are more than a dozen Kumar in our office. Which one are you looking for?

　　Caste is a sensitive topic in India. If you ask Indians, many people will say that the caste system has died out and there is no caste discrimination. Many people are even more secretive about the situation of the "untouchables" at the bottom of the caste order. Recently, Global Times reporters interviewed several Indians, including two Indian journalists and a scholar, on the issue of untouchability, but they were all declined.

　　The complexity of the caste problem in India is also reflected in the "reverse discrimination" riots that have repeatedly erupted in recent years. At the beginning of last year, a high-caste ethnic group named Jat in Haryana strongly demanded to enjoy the preferential policies given by the state to low castes. Demonstrators blocked roads, burned down vehicle buildings and destroyed water delivery channels in many parts of the state, leaving tens of millions of people in the capital area facing water shortage.

　　Mohanty told the Global Times reporter that in cities, the situation of "Dalits" is much better, and many great scholars, writers, scientists, judges and civil servants all have the background of "Dalits". But in rural areas, discrimination is still common. It is a slow process to completely eliminate caste discrimination, which can not be achieved only by introducing legal provisions, but also by creating other corresponding conditions, such as land ownership and policy decision-making power.

　　Mohanty believes that the appearance of two "Dalit" presidents is undoubtedly an incentive to the "Dalit" class and enhances their "pride", but it can’t bring them benefits. Democratic elections and the "Dalit" rights movement have contributed to promoting social equality, but there is still a long way to go to achieve the goal of "eliminating caste" proposed by Ambedkar.

1905 movie network news Recently, the spy war movie released a brand-new trailer, playing the special agent Jin Shenshui. In the extreme environment where many forces are intertwined and everyone has their own ulterior motives, a few words seem to be light, but in fact, every sentence is extremely deliberate, killing the enemy in an instant, which can be described as "hiding the knife in the words and killing the invisible".

Based on the novel of the same name, Knife Point is directed by Zhang Yi, starring,,,, starring, and will be released on November 24th.

The story background of Knife’s Blade focuses on Nanjing, which was devastated in 1940. Director Gao Qunshu once said that in this cruel environment, "everyone is thinking about how to survive, whether it is our side, the military system or Wang Fei". Jin Shenshui (Zhang Yi), a special agent with multiple identities, lives among the forces of the Japanese military, the puppet government and the military junta all day long, not only carefully hiding his true identity, but also quietly alienating the enemy and making excuses to kill people.

In the newly released trailer, everyone in the life-and-death training ground is on thin ice, and Jin Shenshui uses the characteristics of everyone’s own ulterior motives to exert a "deviant plan" in an extremely ingenious way. In the tense situation, it turns a few words that seem to be light and light into a sword that stabs the enemy.

As director Gao Qunshu said, the most thrilling thing in spy war is often not reflected in the real fight, but "hiding a knife in words, killing people invisibly". "Everyone’s words have a deep killing trick, and it seems that if you say a few words casually, you can kill people." Jin Shenshui, a special agent who witnessed his family being killed by the Japanese invaders and suffered extreme pain, turned himself into a "motionless blade", not only to get rid of the enemies around him, but also to protect the safety of his compatriots.

Like him, Lin Yingying, who hates her country’s enemy, also shows a fighting capacity different from ordinary people under the image of calmness and gentleness. Gao Qunshu explained that the strength given to her by the organization behind her "made her support this mentality of being bold and cautious, killing people without tricks and killing people invisibly". Whether it is Jin Shenshui or Lin Yingying, you must have extraordinary courage and strategy to walk on the tip of the knife. "Either you beat your opponent to live, or you sacrifice yourself to help your comrades live."

■ At night, the transportation department dispatches taxis to Guangzhou South Railway Station to ensure the "night returnees" to travel. (Photo courtesy of the interviewee)

■ New Express reporter Dai Guohui

Recently, many Guangzhou residents have reported that it is difficult to take a taxi through the online car platform, especially in the Tianhe business district and the Pearl River New Town around the rush hour and around 11: 00 at night. At the same time, it is also difficult to take a taxi in the residential gathering area during the rush hour.

phenomenon

Didi taxis line up hundreds of people.

It is difficult to make an appointment with a car during peak hours.

Ms. Liang, a citizen of Guangzhou, told the reporter about the difficulty of taking a taxi in Tianhe South 1 ST Road next to Tianhe City on August 17. It was Valentine’s Day, and around 11 pm, she wanted to take a taxi back to her residence near Tangxia. She used the "Didi Chuxing" APP to make an appointment for an online car. "There are more than 100 people waiting in line in front, and the system estimates that the waiting time is 1 hour and more than 20 minutes." Ms. Liang told reporters.

On the other hand, the reporter learned from a drip driver that it was even more difficult to take a taxi in Tianhe business district that day. The driver surnamed Luo told the reporter, "At that time, it usually took two hours to take a taxi in Tianhe City."

Mr. He, a citizen, told the reporter that he took a taxi at 8: 00 a.m. a few days ago. He wanted to call the network car in a hurry, but the system showed that the queue had to wait for 40 minutes. "There is no subway nearby, and the taxi is full of people. I got on the bus at 8: 40 and was late."

The reporter interviewed a number of network car users, and users have different degrees of experience about the difficulty of getting a car. However, most of these situations occur during the rush hour and around 11 pm, and the locations only occur in residential areas, Pearl River New Town, passenger hub stations and some business districts.

Network car enterprise

Users are advised to carpool.

Regarding the situation that it is difficult to get a car in some areas of Guangzhou at a specific time, the relevant person of Didi Company responded to an interview with the New Express reporter and said that it did receive such a reflection from users and suggested that users travel by car.

Didi said: "Recently, the platform has received many reports from users that the success rate of taxis in some areas has decreased during peak hours, and the waiting time has become longer. I would like to remind users to plan their travel modes as far as possible in advance, and travel more by making an appointment or carpooling, and the success rate will be relatively high …"

Taxi company dispatches vehicle security

South Station "Night Return" Travel

During the summer vacation, it is also difficult to take a taxi after 11 pm at Guangzhou South Railway Station. Mr. Zhong told reporters that it took him more than half an hour to get a network car after 11 pm on August 14th.

In order to alleviate the difficulty of taxiing, from 23:00 on Fridays and Saturdays to 0:30 the next day, Guangzhou Transportation Department organized Guangzhou Public Transport Group to arrange a certain amount of taxi capacity to Guangzhou South Railway Station to do a good job. When the capacity of Guangzhou South Railway Station is insufficient, the municipal transportation department will dispatch other empty taxis to carry passengers through the information system to ensure that citizens can enjoy taxi services in time.

On the other hand, Guangzhou Public Transport Group also encrypts the departure density of night buses in the South Railway Station area, and at the same time opens passengers who arrive in Guangzhou at night at the bottom of the special line.

interlinkage

In July, the number of violations of the network car decreased by nearly half compared with last month.

On August 20, the Law Enforcement Bureau of Guangzhou Communications Commission announced the list of companies suspected of violating the rules in taxis and online cars in July this year. By comparing the law enforcement announcements in the past three months, some enterprises have been listed on the same law enforcement project more than once. Another striking thing is that the number of violations of the network car has been greatly reduced.

● Statistics

Non-compiled enterprises with illegal operations have been listed three times.

The reporter noticed that in the investigation and handling of non-compiled drivers by law enforcement officers of the Law Enforcement Bureau of the Communications Commission, there were taxi companies on the list for three consecutive times, and more than 50 non-compiled operations were investigated. Guangzhou Lishifeng Automobile Co., Ltd. has been investigated for 50 non-compiled operations for three consecutive months; Guangzhou Xianfu Taxi Co., Ltd. was investigated for 52 cases of non-compiled operation for three consecutive months.

On the other hand, according to the published data, the operating violation rate of taxi companies has decreased compared with May. In May, the violation rate of the top taxi companies reached 19.27%. In July, the number one taxi company’s violation rate dropped to 14.49%. It should be pointed out that this data is still at a high level.

The number of violations of the network car has declined

The number of violations of the network car operation has been significantly reduced. In May, the Law Enforcement Bureau of Guangzhou Communications Commission investigated and dealt with 252 cases of illegal operation of online car, which was reduced to 143 cases in June and 73 cases in July.

The reporter learned from the Law Enforcement Bureau of the Municipal Communications Commission that the illegal operation of the network car is mainly concentrated in the driver’s license of the network car driver and the transportation license of the operating vehicle. According to the relevant regulations, the driver of the network car will face a fine of 10,000 to 30,000 yuan for operating without a license.

● Cases

The same taxi meets Baiyun Airport.

Law enforcement officers investigated and dealt with a "full clone taxi"

On August 15th, when law enforcement officers visited the south first floor of T1 departure hall of Baiyun Airport, they found that the body color of a Guangdong A***RA "Guangfa" taxi was slightly different. After systematic investigation, the taxi with the license plate number A***RA happened to be located in T2 Terminal 1 km away. After verification, the possibility of deviation caused by GPS signal instability was ruled out, and law enforcement officers initially determined that Guangdong A***RA in T1 was a fake taxi.

Law enforcement officers parked the two cars side by side for further investigation, and found that the model, license plate, ceiling light, internal control and even the advertisement of the rear glass of the car body in T1 were exactly the same as those in T2. The law enforcement officers carefully checked the license plate, frame number and invoice information. The T1 Guangdong A***RA license plate did not match the frame number, and the invoice information was also inconsistent. The invoice supervision telephone number was not the number of Guangfa Company, but it was indeed a "full clone taxi". The law enforcement officers temporarily detained the counterfeit taxi on the spot according to law.

Non-compiled list of operating violations of cruise taxi companies (top 5)

No. Enterprise Name Number of Violation Cases

1 Guangzhou Lishifeng Automobile Co., Ltd.17

2 Guangdong Xiecheng Car Rental Co., Ltd. 16

3 Guangzhou Gode Passenger Transport Co., Ltd. 14

4 Guangzhou Xianfu Taxi Co., Ltd. 14

5 Guangzhou Fanyun Taxi Company Limited 13

List of illegal operating rates of cruise taxi companies (top 5)

Serial number Enterprise name Vehicle violation rate

1 Guangzhou Huangqi Transportation Co., Ltd. 14.49%

2 Guangzhou Baiyun Yuntong Car Rental Co., Ltd. 14.35%

3 Guangzhou Guangda Taxi Co., Ltd. 12.30%

4 Guangdong Yingfeng Automobile Service Co., Ltd. 11.76%

5 Guangzhou Qide Taxi Co., Ltd. 11.24%

　　　　　　 CCTV News:We continue to pay attention to the deep game between the United States and Russia around the "last war" in Syria. The focus of the game is Idlib province in the northwest of Syria and its surrounding areas, which is regarded as the last site of opposition armed forces and various extremist and terrorist organizations in Syria. At present, the government forces are making intensive pre-war preparations to recover this area, and the battle of Idlib, known as the "last battle" in Syria, may start at any time. And at this juncture, should I fight? How to fight? The United States, which supports the anti-government armed forces, and Russia, which supports the Syrian government, are sharply opposed, and for this reason, they have launched a confrontation and game in military diplomacy.

source map

　　　　　　 White House: If Syria uses chemical weapons, it will respond quickly.

　　　　　　 Let’s look at the new trend of the US. The White House No.4 issued a statement saying that the United States is closely monitoring the situation in Idlib province of Syria. If the Syrian government uses chemical weapons, the United States and its allies will respond "quickly and appropriately".

　　　　　　 This is not the first time that the United States has recently threatened to use force against the Syrian government. On August 21 this year, the United States, Britain and France issued a joint statement expressing "serious" concern about the possible military actions taken by Syrian government forces in Idlib province. The United States, Britain and France also warned that if the Syrian government uses any chemical weapons, they will make an "appropriate" response.

　　　　　　 Russia says terrorist organizations will create chemical weapons attacks.

　　　　　　 The threat of use of force by the United States and its allies against Syria is not just a verbal threat. In April this year, the three countries attacked Syrian government facilities on the grounds of the so-called "chemical weapons attack". Recently, the Russian Ministry of Defense suddenly broke the news that the "White Helmets" organization with western background is planning with terrorist organizations to prepare a chemical attack and frame it on the Syrian government.

　　　　　　 According to the information held by the Russian military, several terrorist organizations, such as the "Conquest Front", transported eight chlorine-containing containers to the northwest of Idlib province in an attempt to make and photograph the scene of the so-called "chemical weapons attack" by Syrian government forces, and intelligence shows that the chemical weapons attack premeditated by terrorists may be changed to Hama province.

　　　　　　 Earlier, Western countries repeatedly accused Syrian government forces of using chemical weapons, which were firmly denied by Syria and Russia. In April this year, the so-called "chemical weapons attack" occurred in the town of Duma, Syria, and the United States, Britain and France subsequently attacked Syrian government facilities. Later, the Russian media interviewed the parties who were attacked by so-called "chemical weapons" and identified the relevant attacks as forged.

　　　　　　 Trump issued a warning to stop Syria from attacking Idlib.

　　　　　　 US President Trump No.3 also issued a warning to Syria not to "recklessly" attack Idlib province, otherwise the consequences will be very serious. He also called on Russia and Iran not to participate in the battle of Idlib. In this regard, Russian Presidential Press Secretary peskov No.4 said that Trump’s statement was ill-considered.

　　　　　　 Peskov: "(Idlib) hides a large number of terrorists, which leads to instability. Efforts to end this situation through political and diplomatic channels have also been hindered. Importantly, this poses a threat to our military base. This point has been mentioned by the Russian President. Everyone knows that those drones that threaten our base took off from here (Idlib). "

　　　　　　 Chen Bing launched a military confrontation between Russia and the United States in the Mediterranean.

　　　　　　 In addition to bickering, countries such as the United States and Russia are also ready to intervene in the military.

　　　　　　 According to media reports, the United States has deployed large destroyers equipped with Tomahawk cruise missiles to the Mediterranean waters near Idlib. A Los Angeles-class attack nuclear submarine has also entered the Mediterranean waters. Los Angeles-class nuclear submarines can carry multiple cruise missiles. In the Gulf War in 1991, the first wave of attacks by multinational forces on Iraq was launched from surface ships and Los Angeles-class nuclear submarines. However, the Pentagon said that sending nuclear submarines into the Mediterranean was a routine voyage.

　　　　　　 Russia is not to be outdone. The Russian navy began military exercises in the waters near Syria in the eastern Mediterranean on the 1st. The Russian Defense Ministry said that more than 25 ships from the Russian Northern Fleet, the Baltic Fleet, the Black Sea Fleet and the Caspian Fleet participated in the exercise, and there were about 30 fighters. Although Russia claims that the exercise has nothing to do with the situation in Idlib, Syria, it is widely believed that this is the largest maritime military exercise held by Russia in the Mediterranean region since the end of the Cold War, mainly to show the will and ability to oppose western countries’ intervention in the Syrian war by force.

　　　　　　 In addition, the Russian media also reported that the Russian Ministry of Defense is increasing the deployment of naval forces in the Mediterranean Sea, including 10 ships of various types with missile strike capability. This is also the most powerful naval force deployed by Russia in the Mediterranean since it cracked down on extreme armed forces in Syria in 2015. 　

　　　　　　 Russia-Turkey Summit or Focus on the Battle of Idlib

　　　　　　 Military confrontation is accompanied by diplomatic interaction. While the United States, Britain and France are threatening to use force against Syria, the presidents of Russia, Turkey and Iran will also meet in Iran on the 7th, that is, this Friday. It is expected that the situation in Syria, especially the war in Idlib province, will be the focus of this summit.

　　　　　　 Some analysts believe that at the upcoming summit, Russia, Turkey and Iraq need to coordinate and solve a series of problems, including the time of the war, the scope of the attack and the target of the attack, so as to prevent the armed forces supported by the three countries from accidentally firing, and to prevent the war from expanding out of control and harming the interests of the three countries.

　　　　　　 Iranian foreign minister’s visit to Syria reaffirms support for Syria’s counter-terrorism

　　　　　　 Let’s look at Iran’s attitude. Iran is an important ally of the Syrian government. It has always supported the Bashar regime in the Syrian civil war and provided military support to the Syrian government. Different from Turkey’s attitude, when Iranian Foreign Minister Zarif visited Syria on the 3rd, he called for "thorough elimination" of "terrorists" in Idlib province.

　　　　　　 Iranian Foreign Minister Zarif held talks with Syrian President Bashar al-Assad, Prime Minister khamis, Foreign Minister Moalem and several senior Syrian government officials on the same day. In their meeting with Bashar, Zarif and Bashar both accused "some western countries of exerting malicious pressure on Syria and Iran" and stressed that the two countries will not give up their "principles" and efforts to maintain regional peace and stability because of pressure. When meeting with Syrian Foreign Minister Moalem, Zarif reiterated that Iran will continue to support Syria’s actions against terrorist organizations.

　　　　　　 Talking about the war in Idlib, Syria, which may be about to start, Zarif said that the residual terrorist forces in Idlib area "will be completely eliminated" and this area should be returned to the Syrian people as soon as possible.

　　　　　　 Russian Foreign Minister: I am willing to meet with the US Secretary of State at the UN General Assembly.

　　　　　　 While the United States and Russia launched a deep game of military diplomacy around the "last war" in Syria, they did not refuse dialogue and communication. Russian Foreign Minister Lavrov said at the end of last month that he was willing to meet with US Secretary of State Pompeo during the UN General Assembly. The website of the Russian Ministry of Foreign Affairs issued a statement on the same day saying that both Lavrov and Pompeo will attend the 73rd UN General Assembly, which will open on September 18th. Lavrov expressed his willingness to meet with the US and discuss bilateral agenda and international affairs of common concern. He also said that both sides are ready for a fruitful and constructive meeting.

　　　　　　 The United Nations will convene many countries to discuss the situation in Syria.

　　　　　　 On the 4th, UN Special Envoy for Syria De Mistura said in Geneva that he would hold talks with Russia, Turkey and Iran from 10th to 11th. Subsequently, further talks were held with representatives of the United States, Britain, France, Germany and Saudi Arabia on the 14th. Subsequently, the UN Security Council will hold a meeting on the 20th to discuss the situation in Syria. It is hoped that this will be a breakthrough to promote the political process of the Syrian issue.

>Zeng Hanjiang, Xi Neiyouxin (Yuu), Zhang Teng, Han Peiquan-this is Haniuda (Amu) I want to build an international men’s team in Creation Camp 2021.

>"If you are better than singing and dancing, you already have the world’s top men’s team. If I were the boss of a brokerage company, I would be a group with different styles, compete differently and take different paths. The most important thing for my group is to make everyone feel happy all the time. "

>Amu interprets its identity as an "Entertainer" by entertaining others and spreading happiness. Before going to China to participate in Creation Camp 2021, he worked as Genese Jr in Genese, the most influential Japanese firm. This experience shaped his understanding of idols to some extent.

>Amu in 2017

>No matter what dimension we observe, Amu is a special student in Creation Camp 2021.

>In appearance, when most people are still pursuing the aesthetic of "yellow skin turned white skin", Amu appears with a bronze wheat skin; In terms of performance style, Amu is more keen on retro Disco and the strong songs and dances of the four kings of Hong Kong than the so-called men’s group singing and dancing. In terms of personal character, Amu perfectly inherited the comedy side of "Jie Family", such as appearing on the ground at the initial stage, imitating Bruce Lee in Oshima Diary, and matching his expression pack with three Chinese characters-"Oil King".

>But even a "former hero" who is full of vitality, he has never experienced 24-hour uninterrupted shooting and will feel tired in the reality show. Up to now, when Amu mentioned the life in the camp, what he blurted out was the lyrics in the theme song: "The image is spinning ~"

>A Chinese student who is also a teacher of Li and also from Uranus Entertainment, Yuu was eliminated in the first round of the program, which made Amu feel lonely. In the few shots, Amu becomes more and more silent.

>He told meYuli studioDuring that time, He Yifan, a teammate of Ergong, helped him: "He always cared about me. When eating, he would say’ ‘Amu, come and have dinner together’, sometimes he would take a shower together, and when he got up, he would call me to go to my room for training, which helped me a lot."

>Group photo of Yuu, He Yifan and Amu, Haniuda.

>Due to too few shots, many viewers didn’t Get Amu’s handsomeness for the first time through The Legend of the Hungry Wolf until the last and the top 25 students had a Solo stage on the night of the finals.

>Regarding the editing logic of reality show, Amu actually figured it out in the camp, but still chose "Off camera". This even became the reason why he and Wu Yuheng became close-both of them would take the initiative to "avoid" the camera.

>"Wu Yuheng is always very self-effacing when there are many people. He doesn’t like to steal the camera and will always tell others,’ You go, you go’. I am also like this. " As a result, the pictures of heart-to-heart talks between two people are left out of the camera, so that viewers often wonder why Amu and Wu Yuheng seem to have such a good relationship on social platforms, as if they have missed any important plot.

>Wu Yuheng mentioned by Amu in Weibo.

>In fact, Amu didn’t expect to meet so many friends as family in the camp. Although it involves competition and elimination and needs to be chosen by the audience, he never regards everyone as a competitor. "And I have a different style from them."

>"People always think Japanese idols are cute when they mention them. In fact, I don’t quite agree with this view. This is like a stereotype of Japanese idols, which is a bit extreme. Japan is also an idol with different styles. "

>Now, the sui generis Amu has lived and worked in China for some time, and he thinks that he fits well with the entertainment market in China and will stay in China at least this year.

>Yuu and auspicious brother in Amu selfie lens

>I’m used to him full of energy in the camera, but in fact, Amu in private will give people a strong sense of contrast. His habits and hobbies are a little "old school", not quite like the daily life of a 23-year-old male artist.

>For example, he doesn’t like playing mobile phones very much, and thinks that electronic products will occupy the real life space and make himself electronic, "the brain will be bad." andYuli studioWhen they met, he was sitting at his desk, carefully reading the letters written by his fans in English.

>Amu prefers to spend time meditating than 5g surfing. He is used to applying for "time for a cup of coffee" from the brokerage team every day, striving for some time alone in busy announcements.

>Recently, he has developed a new hobby in China-drinking chrysanthemum tea and ordering it every time he goes to a restaurant. "My grandmother likes China tea very much. I especially like watching chrysanthemums bloom bit by bit through the glass. That moment is really wonderful!"

>Amu self-portrait

>Today, recalling everything in Haihua Island, Amu said word for word: "Sometimes, I want to do Creation Camp 2021 again".

Exclusive dialogue: Haniuda’s martial arts X entertainment theory

>Entertainment: Have you ever experienced such a 24-hour reality show when you were in Japan before?

>Haniuda Gou Wu:In Japan, there are staff members who follow you with cameras. There is no such thing as cameras everywhere and recording all day.

>When I first entered the camp, I saw the students and cameras, and I felt that everything here was very fresh, which was completely different from that in Japan before. But after two or three weeks, I didn’t feel it. Maybe it means that I have adapted and being photographed by the camera has become a part of my life. Even people don’t care much about the camera. During group training, some students will argue when discussing the performance.

>Entertainment: Did you ever think about recording programs like this before you came to China?

>Haniuda Gou Wu:Including 24-hour boot recording, staying up late training, being so tired, etc., I didn’t expect that there would be such a big performance stage.

>When I was preparing for the first stage of Meteor Shower with Yuu, Zhang Teng and Wu Yuheng, my mental stress was the greatest, because I didn’t know what other groups were like, and I didn’t know what I could contribute to this program. My tutor and staff were not familiar with it, so I was easily anxious and had no self-confidence.

>Amu, Yuu, Zhang Teng and Wu Yuheng’s first stage Meteor Shower.

>Entertainment: You seem to have a very good relationship with Wu Yuheng? You sent a personal photo of him on your Weibo.

>Haniuda Gou Wu:I feel that our meeting is like Destiny.

>In the group Meteor Shower, Yuu and I are from Japan, and Wu Yuheng and Zhang Teng are from different places in China. Four people separated by thousands of miles finally formed a group, training together and making progress together, which is probably fate.

>I talked a lot with Wu Yuheng where the camera didn’t shoot. His English is very good. I always feel that Wu Yuheng’s personality is a little bit like Japanese. He is always very humble when there are many people, and he doesn’t like to steal the camera. He will always tell others "Go and go". It’s the same with me.

>But after getting to know him very well, we will find that he just doesn’t like facing the camera and always feels shy when performing on the stage, which is different from us. Besides, our personalities are very similar.

>Amu and Wu Yuheng shoot each other.

>Entertainment: Do you care how many shots you have?

>Haniuda Gou Wu:It’s unfair not to have your own lens and story line in such a program, right? I think if I have the opportunity to perform and have more shots, I should also become a "famous student" in the program.

>Although I gradually understood this truth in the later stage of the program, I didn’t deliberately run to the camera to show anything, and Wu Yuheng and I wouldn’t have to run to the camera to chat. From the perspective of variety editing, the friendship between other students may be more in line with what the program wants. Although the story between Wu Yuheng and me has not been filmed and released, it does not mean that our relationship is not good.

>Entertainment: Now, do you think it’s just hard training, is it useful in this program?

>Haniuda Gou Wu:It’s not that hard work is useless, butIn this kind of idol selection program, it is the most important thing to have audience affinity.

>Everyone knows that Zando dances very well. If I compare my dancing skills with him, he will definitely be the first. But if my performance can attract many people’s attention and be liked, then I also have a chance to be the first. This is the logic followed by the idol industry.The most important thing about idols is that they can be liked by people and have their own light.

>Like Gan Wangxing, he has not received any singing and dancing training, and he is not a trainee himself, but his ranking and popularity are very high. When I saw that he ranked 12th for the first time, I was very happy, which showed that my above idea was correct.Creation Camp 2021 is not an Olympic-style sports competition. Gan Wangxing has something more attractive than skill, which is the original meaning of idols.

>Amu and Ganwangxing Weibo Lianmai

>Entertainment: What’s the mood of group night? Did you ever think that you would make a debut?

>Haniuda Gou Wu:Because I love the stage very much, I feel that as long as I can stay here and have a stage. I focused all my attention on the stage performance-the opening group dance, Definition and Legend of the Hungry Wolf, but I didn’t think about anything else.

>At that time, I cried when everyone sang "It’s windy". Those photos reminded me of the road I had traveled and my family and friends. I have always been a person who tries to hide my emotions, but at that moment I can really release myself without pretending to cheer up, because I really feel very sad.

>Amu on the night of the group night of Creation Camp 2021

>Entertainment theory: how to deal with the pressure when you feel great in the camp?

>Haniuda Gou Wu:Sometimes I go to chat with riki and Jing Ji Daxiang. Riki and I will talk about many things at home and dancing. riki likes talking about his mother very much, and we will also discuss how my performance is. I often chatted with Jing Ji Daxiang when I was in Sangong, and chatting with good friends was my "Happy time" in the camp.

>Entertainment: How much are you rivals and friends?

>Haniuda Gou Wu:I never thought they were rivals, we were just friends. There are different types of idol styles between us.

>To be honest, I don’t care much about ranking in this program, because it’s not up to me to decide. I can understand the ranking of Jing Ji Daxiang, because his face is really in line with the orientation of the Chinese idol market, and everyone will think everything he does is very cute; Riki and Zando are professional dancers. If we only consider the dance performance, they are top class.

>Hiroto

>Entertainment: What kind of idol do you want to be?

>Haniuda Gou Wu:I position myself as an ——Entertainer, an all-round artist who can entertain others and make everyone feel happy.

>Entertainment: Is this why you joined Genese Office?

>Haniuda Gou Wu:In fact, my dream since I was a child is to be a well-known Hollywood actor like Johnny Depp, and I always have been. I want to create that kind of Man and cool character on the screen.

>Entertainment: What does it mean for your "Hollywood actor dream" to participate in Creative Camp 2021?

>Haniuda Gou Wu:I feel that after attending Creation Camp 2021, I am closer to this dream. Before that, I was Nobody, but now I have my own fans and more people know me.

>Creation Camp 2021, appearance of Amu and Yun

>Entertainment: Do you feel that the development of so-called "J-POP" has stagnated in recent years?

>Haniuda Gou Wu:J-POP market is different from China and South Korea, and it is controlled by monopoly enterprises. When monopolists don’t make changes and continue to operate in the same way for many years, the whole Japanese entertainment industry will not change, and there will not be so many idols with fresh faces and different styles.

>Entertainment: In your opinion, what’s the difference between being an idol in China and Japanese?

>Haniuda Gou Wu:In fact, they are all the same, but Japanese idols "have no money".

>For example, being photographed by fans in public places, there are actually some in Japan, but they are secretly photographed and won’t let you know like here; There are also some things that idols should not do, which are also prohibited in Japan.

>I think everything should have a balance. Being an idol can’t just enjoy fame and popularity. Everything is good and bad. This is the law of the world. Since I want to get some good things, I must give up some freedom. I want to say that I am ready.

>Amu on the stage of Creation Camp 2021

>Entertainment: How long do you plan to work in China at present?

>Haniuda Gou Wu:Maybe at least this year will be in China. If my father misses me, I may go back, because I haven’t been home yet because of the epidemic.

>Entertainment theory: if you stay in the entertainment room in the future, have you made any Chinese learning plans?

>Haniuda Gou Wu:Yuu and I both signed up for offline Chinese schools in Shanghai, and we are now working hard to learn Chinese.

>The new words learned recently are all from the dialogue in the textbook, such as: Shut up, date, take your time, wash the dishes … Wu Yuheng washes the dishes.

>Amu eats crabs

A father’s big hand is a child’s most powerful support. Reporter Qiao Junwei photo

　　Lao Dou, I love you in my heart!

　　Today is Father’s Day, but in the parent-child relationship in Chinese, few children express their love and gratitude to their father in person. According to the survey of Dayang. com, 91.5% people have never said "I love you" to their father’s face!

　　However, in the Father’s Day warm blessing launched by this newspaper yesterday, more than 70 children boldly expressed their feelings through newspapers, telling their fathers: "Dad, I love you!"

　　Yesterday, several fathers and children of different ages were interviewed by reporters, telling the feelings of father and son (daughter) in their hearts: the intimacy between father and son (daughter) when children were young; Adolescence challenges and rebelles against father’s authority; Gradually understand and accept the father after adulthood; After middle age, I empathized with my father … Every story is sincere and touching.

　　Our reporters Huang Rongfang and Shi Shanwei

　　Dad, I want to tell you

　　Silent love always has some regrets.

　　Nini is a 6-year-old first-year student

　　"I often say,’ Dad, I love you’"

　　My father is very strong. Therefore, he hugged me when I was a child, because my mother was weak! Grandma said that when I was a child, my father always took me to sleep at night because my mother worked the night shift. I always wake up in the middle of the night to eat milk, go to the balcony to see the scenery and go downstairs to play. My father makes milk powder for me every night and plays with me in the middle of the night. Grandma said that at that time, my father shook me while sleeping with his eyes closed! Because he is so sleepy!

　　Dad loves telling jokes and has many ideas, so I like playing games with him very much. When I am unhappy, he will say, "I will count to three, and you will definitely laugh!" " However, before counting, he always deliberately said, "Keep your mouth shut! Keep your face tight! I’m going to count! Get ready … "As a result, I can’t help laughing before he starts counting.

　　Now, my father is more and more strict with me. He doesn’t like me crying. Sometimes I dawdle and don’t do my homework, and he will yell at me. Dad always said that my mother spoiled me too much, saying that loving mothers often failed.

　　Unlike mom, dad always says, "Baby, I love you so much!" " He doesn’t say such disgusting things very much. He sometimes calls me by my first name instead of my nickname. However, I still feel that he loves me very much Therefore, I will often say to him: "Dad, I love you!" "

　　Iowa is a 16-year-old junior high school student.

　　"My father and I basically have no intersection."

　　My father is in the clothing business in Hengjiao, Baiyun District. He does his business and I go to my school. They are irrelevant. I was introverted since I was a child, and I didn’t like to talk. My grades in primary school were average. Dad’s discipline for me is in the primary school stage, and I have a few words of praise for my good grades; If you don’t do well in the exam, beat you with a stick.

　　When I was in the fifth and sixth grade of primary school, my father began to be indifferent to my grades. Every time he finished the exam, he would only ask, "Did you do well in the exam?" Every time I answer "average", he doesn’t bother to ask. Since junior high school, I have been at the bottom of my class in every exam.

　　Because of my poor grades, my father never held out much hope for me. Now that the senior high school entrance examination is over, I did badly in the exam again. Anyway, there is no hope of attending high school. Dad has planned for me to go to a technical school and major in business English. He said he could do clothing business with him in the future after he graduated from English. Since he has made a decision for me, I don’t have any complaints, so I just chose a technical school in Liwan District and started school in two months. Unfortunately, you can’t live on campus then, but you have to live with your parents.

　　In fact, I know that my father, like my mother, is very kind to me. He remembers my birthday every year and cooks a delicious table every time. When I was in the fifth grade, my father bought me a computer for 8000 yuan. But I don’t think he cares about me, and I seldom talk to him if I’m okay. There is basically no intersection between us.

　　Mr. Zhang is a 45-year-old civil servant

　　"Never let the other person know his inner love."

　　It was only after I became a father that I gradually understood my father, who I had never understood before, and I became more tolerant of my father. But my father is depressed now, and he is clamoring to go to a nursing home, which makes me very sad.

　　When I was young, I always thought that my father was nothing, and even looked down on him, thinking that he had worked all his life and had never made it. It was not until I was middle-aged and had the burden of life that I slowly accepted my ordinary father. I began to ask for his advice on things I had never discussed with him before.

　　A few years ago, my mother died of illness, and my 75-year-old father was like a different person, always losing his temper with his family. When he is alone at home, he drinks to relieve boredom, and he doesn’t drink much. When he drinks a little, he gets drunk, and when he is drunk, he swears everywhere.

　　Last month, my father went to Guangzhou Friendship Apartment for the Aged to see a friend. He saw many old people playing mahjong together, talking and laughing. When he got home, he told me that he would move in. I didn’t agree at first, but when I persuaded him, he got angry and had a "cold war" with our family. Finally, I had to give in and send him to an apartment for the elderly.

　　On the way to send my father to the nursing home, I remembered that when I was still at school, my father sent me to live on campus, and my heart was very unpleasant. I know that my father has always loved us, and we certainly love him. However, we never seem to let each other know this.

　　No matter how busy you are, there must be room for family ties.

　　In the interview, the reporter found that the childhood of children is the golden period of close communication with their fathers. Children at this stage, both men and women, worship and are close to their fathers; The period when the relationship with the father "deteriorates" is the child’s adolescence. At this stage, the children who enter the rebellious period turn from worship to disappointment, and because the father’s discipline of the children is relatively strict than that of the childhood, many children will even have resentment, especially the adolescent son is more likely to "turn against" his father; What is intriguing is that when children are adults, especially when they are parents themselves, their relationship with their fathers will mostly "warm up", and they will gradually understand the hardships and hardships of being parents. When they are in middle age, when they also encounter their children’s adolescence and career setbacks, they will understand their fathers’ feelings in those years and will tolerate and even protect their elderly fathers.

　　Li Ben, an associate researcher at the Provincial Academy of Social Sciences, said that in fact, there is also a "magnetic field" between father and child. "No matter how busy you are, you must leave room for your family." Li said that a warm home can increase a person’s happiness.

　　Son, I want to tell you

　　I hope you always stare at your mobile phone on the phone.

　　Zuo Haoming is 34 years old and the daughter of a company employee is 5 years old.

　　Education is too utilitarian and forgets the communication of the heart.

　　Man is really a strange animal. When your daughter is still in your wife’s belly, what you expect every day is that she can be born healthily and safely. Once your daughter is born smoothly, your biggest concern is that she is smarter than others. As soon as my daughter was full moon, I held her all over the community to play: watch the sunrise and sunset, count the stars to distinguish the moon, divide it into east, west, north and south, climb Baiyun Mountain in heavy rain, swim in the open-air swimming pool against the north wind, and even borrow a fallen leaf and a hydrogen balloon to make up stories for my daughter …

　　As my daughter grew up, I found that the magic of "education" diminished, and my daughter even refused to play with me. Because she doesn’t think it’s fun to be with me. I gradually realized that what my daughter wants most is for me to play and be crazy with her. I pay too much attention to "education" but forget the importance of communication. What is the difference between this and my parents? Looks like I’m not immune either.

　　Wen Tianpeng (pseudonym as required) 46-year-old civil servant’s son is 16 years old.

　　Beat him and scold him, but my heart ached.

　　In fact, in the process of raising my son, I worked as hard as his mother. When my son was a child, I was omnipotent in his mind, and he adored me.

　　My position in my son’s heart has been shaken since he was in the second day of junior high school. He laughed at me for being old-fashioned and complained that I was useless, saying that his classmate’s father had been promoted to director, and I was still a small chief clerk. He surfed the Internet, played truant and fought. I asked him why, but I wouldn’t understand what he said. Maybe too many things go wrong, and my temper is getting worse and worse. Isn’t it true that menopausal fathers are often incompatible with their adolescent sons? We are now. I often scold him, and sometimes I can’t help hitting him. He is also stubborn. He was scolded and went his own way. Looking at his wronged and hateful eyes, my heart ached.

　　Xie Zhiping 75-year-old retiree’s eldest son is 45 years old.

　　I just want to hear my son’s voice.

　　In the past, I was the secretary of the Party Committee in the factory, and I was an "authority" whether in the factory or at home. At that time, because of my busy work, I had little communication with my three sons, so I asked my wife to tell them everything.

　　Things changed from the year I retired. At that time, the two sons had formed a family, and the younger son got married and moved away in the third year of my retirement. I feel empty. A few years later, my wife passed away. Now only on holidays will my children and grandchildren come to see me. I used to be tough, but now I am extremely dependent on my son. If the faucet is broken, I will call my son to fix it. Even if I want to change my hairstyle, I will ask one by one. Actually, I just want to see them and hear their voices. I often stare at my mobile phone in a daze. Sometimes, when my son calls, I am happier than the holidays.

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